An honest and genuinely respectful portrait of a true diva by a writer who feels the power of her art.
A biography of the “Queen of Soul” by the co-author of her memoir, From These Roots (1999).
Grammy winner and prolific music writer Ritz (co-author, with Maceo Parker: 98% Funky Stuff, 2013, etc.) explains that this book came about because of Franklin’s refusal to discuss any aspect of her life that contradicts the image she has of herself. To correct the distorted portrait in her previous book, he draws on the accounts of family members and business acquaintances such as her longtime manager, Ruth Bowen, and Jerry Wexler, who produced her Atlantic recordings in the 1960s and ’70s. The story begins with her father, a charismatic preacher who took her and her sisters from their Detroit home on the gospel music circuit when their talent became evident. The influence of gospel and the black church remained an indelible part of Franklin’s music. At 18, she signed a record deal with Columbia, then the biggest label in the business. However, the Columbia approach never managed to capture the power of her music, and her insistence that her records include something for everyone was a marketing nightmare. Also, her then-husband, a shady character one of her friends describes as “a gentleman pimp,” controlled her career until she left Columbia for Atlantic and broke into the popular awareness as an unmatched performer. But great success did nothing to alleviate her deep insecurities. Ritz draws on the memories of Franklin’s sisters and her brother, Bowen, Wexler and others who were close to her to document her struggles—with her weight, with alcohol, and with the up-and-down business end of her career. As the years progressed, her hits became fewer and farther between, and her fear of flying caused her to cancel appearances. At the same time, Ritz fully praises Franklin’s abundant musical gifts and her work for causes she believes in, including civil rights.
An honest and genuinely respectful portrait of a true diva by a writer who feels the power of her art.Pub Date: Nov. 4, 2014
ISBN: 978-0316196833
Page Count: 528
Publisher: Little, Brown
Review Posted Online: Aug. 17, 2014
Kirkus Reviews Issue: Sept. 15, 2014
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
SEEN & HEARD
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