Roberts ponders his mortality while celebrating the freedom of wild places. A book for anyone who appreciates good adventure...
Veteran mountaineer and historian Roberts (The Lost World of the Old Ones: Discoveries in the Ancient Southwest, 2015, etc.) looks once more at the question of why humans are so bent on scaling the world’s tall places.
Climbers have worried that the planet’s peaks are getting overcrowded ever since Petrarch ascended Mont Ventoux, and indeed readers could be forgiven for thinking that Roberts was among the last to live in the golden age of adventure and exploration. Take, for example, his first contact with a people hidden away in the depths of an island rainforest: “I had never been part of such a strange cultural interchange, and I covertly stared back, wondering, What are they thinking? Who do they think we are? Why do they think we’ve come?” Good questions all. In the main, this is an amiable if surely adventure-packed collection of yarns and historical oddments; who knew that one of the first organized mountaineering expeditions in the world involved a theologian, a carpenter, and the “official ladderman to the king”? Roberts is as home in libraries as he is on summits, and he explores the literature of mountaineering and some of its genre conventions, if not clichés: the use, for example, of “martial metaphors on every page supported a narrative that veered closer to melodrama than to understatement.” So it is with the books that mark a true golden age, that of Himalayan mountaineering, which Roberts closes off at 1964, books that center on a pair of daring climbers while scarcely acknowledging the vast support staff behind them. The author is more generous in writing of the great teams that figure in any expedition, and, he notes, expeditions are continuing, now with young climbers who appreciate their predecessors: “I no longer worry that the skills and technology of the current band of alpinists relegate the deeds of my own generation to the limbo of ‘pretty good for its time,’ ” he writes.
Roberts ponders his mortality while celebrating the freedom of wild places. A book for anyone who appreciates good adventure writing.Pub Date: Feb. 20, 2018
ISBN: 978-0-393-60986-8
Page Count: 336
Publisher: Norton
Review Posted Online: Nov. 11, 2017
Kirkus Reviews Issue: Dec. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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