A cliffhanger ending compels a return to this absorbing Indigenous fantasy.
Morgan and Eli return to Askí in this sequel to The Barren Grounds (2020).
Actually, the Cree foster siblings have been returning nightly, taking advantage of the different passage of time between Earth and Askí to stay in the village of Misewa for weeks while their foster parents sleep. Their joy in staying with the animal beings of Misewa is tempered by the loss of the old fisher Ochek. On Earth, Eli is bullied at school so relentlessly he cuts off his braid, and their foster parents (who are White) have thrown Morgan for a loop by giving her the telephone number of her birth mother—whom the eighth grader hasn’t seen since she was taken away as a toddler. So when Eli proposes changing their portal to go to a time when Ochek is young, Morgan agrees. Their ensuing adventure is something of an idyll, giving the kids a glimpse of a peaceful, prosperous Misewa. Readers of Volume 1 will enjoy this new aspect on favorite characters just as much as Morgan and Eli do, especially the squirrel Arik and teenage Ochek. The struggle against the rampaging Great Bear—shockingly, a younger version of wise village elder Muskwa—drives the action. Robertson’s (Norway House Cree Nation) nods at the complexity of time-travel plots serve as wry metafictive commentary and also tie into his consideration of profound existential questions.
A cliffhanger ending compels a return to this absorbing Indigenous fantasy. (glossary) (Fantasy. 10-14)Pub Date: Sept. 28, 2021
ISBN: 978-0-7352-6613-1
Page Count: 288
Publisher: Puffin/Penguin Random House Canada
Review Posted Online: July 12, 2021
Kirkus Reviews Issue: Aug. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high...
Two parallel stories, one of a Syrian boy from Aleppo fleeing war, and another of a white American boy, son of a NATO contractor, dealing with the challenges of growing up, intersect at a house in Brussels.
Ahmed lost his father while crossing the Mediterranean. Alone and broke in Europe, he takes things into his own hands to get to safety but ends up having to hide in the basement of a residential house. After months of hiding, he is discovered by Max, a boy of similar age and parallel high integrity and courage, who is experiencing his own set of troubles learning a new language, moving to a new country, and being teased at school. In an unexpected turn of events, the two boys and their new friends Farah, a Muslim Belgian girl, and Oscar, a white Belgian boy, successfully scheme for Ahmed to go to school while he remains in hiding the rest of the time. What is at stake for Ahmed is immense, and so is the risk to everyone involved. Marsh invites art and history to motivate her protagonists, drawing parallels to gentiles who protected Jews fleeing Nazi terror and citing present-day political news. This well-crafted and suspenseful novel touches on the topics of refugees and immigrant integration, terrorism, Islam, Islamophobia, and the Syrian war with sensitivity and grace.
A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high values in the face of grave risk and succeed in drawing goodwill from others. (Historical fiction. 10-14)Pub Date: Aug. 7, 2018
ISBN: 978-1-250-30757-6
Page Count: 368
Publisher: Roaring Brook Press
Review Posted Online: June 10, 2018
Kirkus Reviews Issue: July 1, 2018
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