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THE SONG THAT CALLED THEM HOME

A gorgeous story inspired by Indigenous legends that will lead intrepid readers on a watery adventure.

Lured away by the songs of mystical creatures in the lake, two Indigenous children must find their way home.

On a fishing trip, Lauren and her younger brother, James, take the canoe out on the lake while their grandfather naps on the shore. The water churns, and humanoid creatures called Memekwesewak tip their boat. The children fall into the water. Dismayed, Lauren watches the Memekwesewak disappear with her brother through a waterfall. She follows “the bends and curves of the watery pathway, searching for James,” until she reaches an island and sees him dancing by a fire with the mystical creatures, caught up in the songs. And when Lauren joins him, she soon forgets why she came there. Not until the children hear the faraway drumbeats and rhythms of home do they remember their grandfather. When they stop and listen, they feel the strong pull of family, which causes the Memekwesewak to scatter. Colorful, swirling, and whimsical, the illustrations follow the lively pace of the text. Rich blues and purples capture the beauty of the night sky, bringing to life a captivating story that ultimately hinges on the love of family. An author’s note explains that many Native peoples have told stories of the Memekwesewak, “one of two humanoid races on Mother Earth, the other being humans like you and me.” (This book was reviewed digitally.)

A gorgeous story inspired by Indigenous legends that will lead intrepid readers on a watery adventure. (author’s note) (Picture book. 4-8)

Pub Date: April 4, 2023

ISBN: 9780735266704

Page Count: 52

Publisher: Tundra Books

Review Posted Online: Feb. 7, 2023

Kirkus Reviews Issue: March 1, 2023

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HANSEL AND GRETEL

Menacing and most likely to appeal to established fans of its co-creators.

Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.

In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.

Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)

Pub Date: Sept. 2, 2025

ISBN: 9780062644695

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 15, 2025

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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