by David Sedaris ‧ RELEASE DATE: March 17, 1997
In this collection of essays, playwright and NPR commentator Sedaris tops his anarchically hilarious miscellany Barrel Fever (1994) by inventing a new genre: autobiography as fun-house mirror. From the first sentence (``I'm thinking of asking the servants to wax my change before placing it in the Chinese tank I keep on my dresser''), Naked pretty well clobbers the reader into dizzy submission. Growing up in Raleigh, N.C., Sedaris had disruptive nervous tics that only disappeared once he took up smoking, which, ``despite its health risks, is much more socially acceptable than crying out in tiny voices.'' The author volunteered at a mental hospital and spoke solely in Shakespearean English for a spell. One Christmas his sister brought home a coworker who moonlighted as a prostitute: ``From this moment on, the phrase `ho, ho, ho' would take on a whole different meaning.'' Sedaris's best humor is generally rooted in misery: At college he befriended ``a fun girl with a degenerative nerve disease'' and confined to a wheelchir, with whom he successfully shoplifted (no one stopped them) and hitchhiked (everyone stopped for them); he astutely illuminates the weird mixture of altruism and vanity that motivated him to become his friend's caretaker. Sedaris's extensive rÇsumÇ of hitchhiking trips and dire jobs has provided him with an absurd array of distressing incidental characters, like the belligerent, legless Jesus freak for whom he worked making jade clocks in the shape of Oregon. The author's wisecracking mother emerges as a full-blown comic heroine, and the essay discussing the months before her death achieves a brilliant synthesis of solemnity and humor. Only at the end, when describing a visit to a downscale nudist camp, does Sedaris disappoint, as he seems to have gone on the jaunt solely to acquire filler material. Sedaris applies the same deadpan fastidiousness to his life that Charlie Chaplin applied to his shoe in The Gold Rush—this is splendid stuff.*justify no*
Pub Date: March 17, 1997
ISBN: 0-316-77949-0
Page Count: 304
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1997
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by David Sedaris ; illustrated by Ian Falconer
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PERSPECTIVES
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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