by David Shields ‧ RELEASE DATE: Sept. 18, 2018
A compelling book offering something to offend nearly anyone.
By the end of this impassioned book, readers may question whether it has proven the thesis of its title, but there’s no question that the author meets fire with fire, leaving scorched earth on both sides of the critical divide.
In Reality Hunger (2010), Fakes (2012), and even the psycho-biographical Salinger (2013), Shields (Other People, 2017, etc.) has focused on what is really real and refused to settle for easy answers. He suggests that the left’s bad faith has paved the way for Trump: “the pitiful veneer of ‘genteel society’ that he has gleefully ripped away, how full of shit so many people on the left are, not because they’re wrong per se but because they’re so committed to an Oprah-ized, airbrushed, focus-grouped, ultimately empty language in which they can’t convince anyone of anything anymore.” But if liberals’ hypocrisies have left the country starving for something more authentic, then the joke’s on us—and maybe on Trump as well. “Trump is always playing Trump—fighting to win, but win what or why? He has no clue and knows he has no clue,” writes the author. “And he knows we know he has no clue. And his lostness, his irreducible sadness is what I find so compelling, almost moving, about him.” This may well be a singular perspective on the subject, and since Shields knows that Trump is such an easy target, he doesn’t spend much time taking potshots. Instead, he lets Trump write a large portion of the text, quoting him at length (sometimes out of context), while aiming his venom at those in the culture who might mediate and interpret. Thus, NPR: “Anything—anything—is better than onesy-twosy earnestness. I literally can’t stand to listen to it anymore.” And David Foster Wallace, “who killed himself—partly, I think, because he worshipped ‘fiction,’ which had completely deserted him.” If Trump is no more real than the reality TV that created the monster, then Shields clearly believes that the era of polite discourse is over and that the brutal truth is the only truth there is.
A compelling book offering something to offend nearly anyone.Pub Date: Sept. 18, 2018
ISBN: 978-1-945796-99-9
Page Count: 270
Publisher: Thought Catalog Books
Review Posted Online: Oct. 11, 2018
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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