With echoes of Mordecai Richler’s antiheroic tales of urban Jewish life, Unger's downbeat exploration suggests that though...
Despairing debut about the Jewish experience in 20th-century Central America that, though enlivened by innocent eroticism and comic absurdity, finds little to love in a sunny fool’s paradise.
At 53, Marcos Eltaleph has it made: a member of one of 1980s Guatemala’s wealthiest Jewish dynasties, he has so far avoided marriage, responsibility, serious illness, embarrassing business failures, or mediocre success. His brothers, especially Aaron, have become big men in the Jewish community, heading a business empire based on retail, paper products, and import-export. They have luxurious houses, their kids attend US schools, and Eltaleph weddings and bar mitzvahs are social events. Whenever the family brushes up against power-mad colonels or corrupt politicians, they seem to be spared the Nazi torments their father escaped by fleeing Hitler’s Germany. So, instead of disappearing into a dank jail when Aaron doesn’t pay a bribe, Marcos finds himself imprisoned in a hospital, where his attempt to enjoy the sexual favors of a nurse are interrupted by his girlfriend Esperanza, a sexy Colombian half his age whom he met on a cruise ship and is afraid to marry. Mysteriously sprung from his hospital, Marcos eventually proposes to Esperanza, who wants nothing but her own nightclub—but Marcos is suspicious of Rafael Mendoza, a “retired” colonel who offers to rent the couple his own failed nightclub. Suddenly the Etaleph family department store is bombed. Are Communist rebels to blame, or did Aaron fail to pay off the right people? As Aaron assures his brother that Jews really can make a homeland in paradise, Marcos learns that, as a Jew, he must count his blessing before they turn sour.
With echoes of Mordecai Richler’s antiheroic tales of urban Jewish life, Unger's downbeat exploration suggests that though success at the price of collaboration with evil is no success, when you meet the love of your life, you might as well live.Pub Date: April 1, 2001
ISBN: 0-8156-0737-7
Page Count: 240
Publisher: Syracuse Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2002
BOOK REVIEW
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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