by David Walliams ; illustrated by Tony Ross ‧ RELEASE DATE: March 1, 2016
A quick pull on a reliable, if not exactly minty-fresh, formula.
Walliams drills into a primal fear with this tale of a new dentist with a decidedly evil agenda.
In a blatant grab at Roald Dahl fans, the author pulls out a cast of cheeky children, thoroughly rotten villains, and clueless but well-meaning grown-ups for a Brit-flavored romp that combines moments of intense terror and bracing courage with biting satire—oh, and gruesome bits. Ross offers a plethora of loosely sketched ink-and-wash vignettes generally indistinguishable from Quentin Blake’s. All over town, children have been putting lost teeth beneath their pillows and, instead of money, getting cat poo, oozing scabs, and like rewards. Worse yet, following shocked comments about the state of 12-year-old Alfie’s “teet,” canny Winnie, a flamboyant new West Indian social worker, tricks the lad into visiting the newly arrived (with her cat, Fang) dentist, Miss Root. Alfie regains consciousness with nary a tooth in his mouth—it seems that Miss Root is the Tooth Witch herself. She’s not to be stopped, either, without help from new, dreadlocked friend (not girlfriend) Gabz, a vat of acid with revolting ingredients (carefully listed), and lots of dynamite. Walliams spritzes the narrative with made-up but not particularly inventive words and large-type screaming. Winnie, dark-skinned Gabz (short for Gabriella), and newsagent Raj are the only notable nonwhite characters; Winnie’s accent is an unfortunate running joke.
A quick pull on a reliable, if not exactly minty-fresh, formula. (pictorial cast list) (Horror. 9-11)Pub Date: March 1, 2016
ISBN: 978-0-06-241704-6
Page Count: 448
Publisher: Harper/HarperCollins
Review Posted Online: Nov. 16, 2015
Kirkus Reviews Issue: Dec. 1, 2015
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by David Walliams ; illustrated by Adam Stower
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by David Walliams ; illustrated by Tony Ross
by Chad Morris & Shelly Brown ‧ RELEASE DATE: Oct. 3, 2017
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean.
A 12-year-old copes with a brain tumor.
Maddie likes potatoes and fake mustaches. Kids at school are nice (except one whom readers will see instantly is a bully); soon they’ll get to perform Shakespeare scenes in a unit they’ve all been looking forward to. But recent dysfunctions in Maddie’s arm and leg mean, stunningly, that she has a brain tumor. She has two surgeries, the first successful, the second taking place after the book’s end, leaving readers hanging. The tumor’s not malignant, but it—or the surgeries—could cause sight loss, personality change, or death. The descriptions of surgery aren’t for the faint of heart. The authors—parents of a real-life Maddie who really had a brain tumor—imbue fictional Maddie’s first-person narration with quirky turns of phrase (“For the love of potatoes!”) and whimsy (she imagines her medical battles as epic fantasy fights and pretends MRI stands for Mustard Rat from Indiana or Mustaches Rock Importantly), but they also portray her as a model sick kid. She’s frightened but never acts out, snaps, or resists. Her most frequent commentary about the tumor, having her skull opened, and the possibility of death is “Boo” or “Super boo.” She even shoulders the bully’s redemption. Maddie and most characters are white; one cringe-inducing hallucinatory surgery dream involves “chanting island natives” and a “witch doctor lady.”
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean. (authors’ note, discussion questions) (Fiction. 9-11)Pub Date: Oct. 3, 2017
ISBN: 978-1-62972-330-3
Page Count: 256
Publisher: Shadow Mountain
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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by Chad Morris & Shelly Brown
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by Chad Morris & Shelly Brown ; illustrated by Garth Bruner
BOOK REVIEW
by Chad Morris & Shelly Brown
by Natalie Babbitt ‧ RELEASE DATE: Nov. 1, 1975
However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...
At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever.
Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it.
Pub Date: Nov. 1, 1975
ISBN: 0312369816
Page Count: 164
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 13, 2012
Kirkus Reviews Issue: Nov. 1, 1975
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by Valerie Worth & illustrated by Natalie Babbitt
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