A quick pull on a reliable, if not exactly minty-fresh, formula.
Walliams drills into a primal fear with this tale of a new dentist with a decidedly evil agenda.
In a blatant grab at Roald Dahl fans, the author pulls out a cast of cheeky children, thoroughly rotten villains, and clueless but well-meaning grown-ups for a Brit-flavored romp that combines moments of intense terror and bracing courage with biting satire—oh, and gruesome bits. Ross offers a plethora of loosely sketched ink-and-wash vignettes generally indistinguishable from Quentin Blake’s. All over town, children have been putting lost teeth beneath their pillows and, instead of money, getting cat poo, oozing scabs, and like rewards. Worse yet, following shocked comments about the state of 12-year-old Alfie’s “teet,” canny Winnie, a flamboyant new West Indian social worker, tricks the lad into visiting the newly arrived (with her cat, Fang) dentist, Miss Root. Alfie regains consciousness with nary a tooth in his mouth—it seems that Miss Root is the Tooth Witch herself. She’s not to be stopped, either, without help from new, dreadlocked friend (not girlfriend) Gabz, a vat of acid with revolting ingredients (carefully listed), and lots of dynamite. Walliams spritzes the narrative with made-up but not particularly inventive words and large-type screaming. Winnie, dark-skinned Gabz (short for Gabriella), and newsagent Raj are the only notable nonwhite characters; Winnie’s accent is an unfortunate running joke.
A quick pull on a reliable, if not exactly minty-fresh, formula. (pictorial cast list) (Horror. 9-11)Pub Date: March 1, 2016
ISBN: 978-0-06-241704-6
Page Count: 448
Publisher: Harper/HarperCollins
Review Posted Online: Nov. 16, 2015
Kirkus Reviews Issue: Dec. 1, 2015
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean.
A 12-year-old copes with a brain tumor.
Maddie likes potatoes and fake mustaches. Kids at school are nice (except one whom readers will see instantly is a bully); soon they’ll get to perform Shakespeare scenes in a unit they’ve all been looking forward to. But recent dysfunctions in Maddie’s arm and leg mean, stunningly, that she has a brain tumor. She has two surgeries, the first successful, the second taking place after the book’s end, leaving readers hanging. The tumor’s not malignant, but it—or the surgeries—could cause sight loss, personality change, or death. The descriptions of surgery aren’t for the faint of heart. The authors—parents of a real-life Maddie who really had a brain tumor—imbue fictional Maddie’s first-person narration with quirky turns of phrase (“For the love of potatoes!”) and whimsy (she imagines her medical battles as epic fantasy fights and pretends MRI stands for Mustard Rat from Indiana or Mustaches Rock Importantly), but they also portray her as a model sick kid. She’s frightened but never acts out, snaps, or resists. Her most frequent commentary about the tumor, having her skull opened, and the possibility of death is “Boo” or “Super boo.” She even shoulders the bully’s redemption. Maddie and most characters are white; one cringe-inducing hallucinatory surgery dream involves “chanting island natives” and a “witch doctor lady.”
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean. (authors’ note, discussion questions) (Fiction. 9-11)Pub Date: Oct. 3, 2017
ISBN: 978-1-62972-330-3
Page Count: 256
Publisher: Shadow Mountain
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A waggish tale with a serious (and timely) theme.
An age-old rivalry is reluctantly put aside when two young vacationers are lost in the wilderness.
Anthropomorphic—in body if definitely not behavior—Dogg Scout Oscar and pampered Molly Hissleton stray from their separate camps, meet by chance in a trackless magic forest, and almost immediately recognize that their only chance of survival, distasteful as the notion may be, lies in calling a truce. Patterson and Grabenstein really work the notion here that cooperation is better than prejudice founded on ignorance and habit, interspersing explicit exchanges on the topic while casting the squabbling pair with complementary abilities that come out as they face challenges ranging from finding food to escaping such predators as a mountain lion and a pack of vicious “weaselboars.” By the time they cross a wide river (on a raft steered by “Old Jim,” an otter whose homespun utterances are generally cribbed from Mark Twain—an uneasy reference) back to civilization, the two are BFFs. But can that friendship survive the return, with all the social and familial pressures to resume the old enmity? A climactic cage-match–style confrontation before a worked-up multispecies audience provides the answer. In the illustrations (not seen in finished form) López plops wide-eyed animal heads atop clothed, more or less human forms and adds dialogue balloons for punchlines.
A waggish tale with a serious (and timely) theme. (Fantasy. 9-11)Pub Date: April 1, 2019
ISBN: 978-0-316-41156-1
Page Count: 320
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: Dec. 15, 2018
Kirkus Reviews Issue: Jan. 15, 2019
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