by David Wyatt ‧ RELEASE DATE: June 1, 1997
A big-picture view of California's history, told with verve and considerable learning. Wyatt, a native Californian and professor of English at the University of Maryland, ranges freely among several disciplines, including history, literature, linguistics, and natural history, to shape a panoptic account of California history. Wyatt views the state as having been shaped by a complex of catastrophes—ethnic clashes, ecological conquests, fires, and earthquakes—and discerns their influence still working itself out today. There is, he demonstrates, nothing new under the sun, citing the writings of early politicians who founded their careers on a ``rhetoric of purity and exclusion'' (think of Bob Dornan) and the recollections of 19th-century immigrants, who arrived in the Golden State intending to remake themselves, just as their equally optimistic counterparts do today. Wyatt returns again and again to the theme of cultural collision, convincingly threading together discussions of Spanish chronicles and early American military reports with incisive readings of Robert Towne's script for the movie Chinatown and Raymond Chandler's L.A.-noir novels. ``California remains the place,'' Wyatt writes, ``where Americans draw the battle lines over difference''; witness the trial of O.J. Simpson, whom, refreshingly, Wyatt does not invoke, and the Zoot Suit riots of the 1940s, which he considers at length. He combs an astonishing trove of overlooked sources, including the memoirs of the Native American chronicler Pablo Tac and of Chinese, Japanese, African-American, and Hispanic immigrants over the years. It does not add up to a happy story, and state boosters will not be pleased with the author's view of a California shaped then and now by virulent racism and official malfeasance at every turn. Wyatt has much to relate, and he does so exceptionally well, yielding a happy (and rare) instance when the reader emerges wishing that a longish book would go on just a bit longer. (b&w photos, not seen)
Pub Date: June 1, 1997
ISBN: 0-201-14479-4
Page Count: 304
Publisher: Addison-Wesley
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1997
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by Kieran Larwood ; illustrated by David Wyatt
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by Kieran Larwood ; illustrated by David Wyatt
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by Kieran Larwood & illustrated by David Wyatt
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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More by Rebecca Stefoff
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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