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NOTES ON A SHIPWRECK

A STORY OF REFUGEES, BORDERS, AND HOPE

A potent narrative that builds from matter-of-fact observation through horrific experience toward a metaphysical acceptance...

Subtle meditation and devastating detail combine in this journalistic memoir of refugee landings on the Italian island of Lampedusa.

A prizewinning playwright in his native Italy, Enia (On Earth as It Is in Heaven, 2014, etc.) relies on the skills he sharpened as a journalist to recount the often deadly plight of exiles traveling over treacherous waters from Africa to Europe. Yet those depths also provide a backdrop for more intimate accounts—of a close friend who succumbed to cancer and an uncle who is suffering the same. In the aftermath of a particularly calamitous shipwreck—only 155 survivors landed on Lampedusa of the more than 500 who had begun the voyage—one rescuer observed, “It’s normal, isn’t it? You see someone in the water, you lean over from the deck of the boat and you do your best to grab him. Anyone who sees a person drowning does whatever he can to rescue him. It’s not like we’re heroes, after all.” Such instinctive decency triumphs over polarized politics or fear of the “other”—a fear that can go both ways, as many of the African refugees have apparently never seen white skin before. The author’s companion witness on the island is his father, a retired physician–turned-photographer who is both loving and reticent. The two communicate through the words the son writes, the images the father captures, and the silences that are pregnant with meaning between the two. “In doing portraits of faces, my father could sense the disintegration of life,” writes Enia, continuing, “it was my father’s way of trying to start a dialogue with God Himself, a dialogue that contained both an effort to understand and a conscious abandonment of self to the mystery of existence.” Like the sea itself, that mystery is fathoms deep, encapsulated in a multilayered narrative that attempts to come to terms with the universality of mortality.

A potent narrative that builds from matter-of-fact observation through horrific experience toward a metaphysical acceptance that is something like a state of grace.

Pub Date: Feb. 19, 2019

ISBN: 978-1-59051-908-0

Page Count: 256

Publisher: Other Press

Review Posted Online: Nov. 20, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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