A delightful retelling of an intriguing tale that will make a fine read-aloud for families who celebrate Christmas as a...
A kind, grandmotherly woman meets the wise men and distributes toys and treats in this interpretation of a Russian folk tale.
Babushka keeps busy cleaning her tiny house and creating handmade toys. One wintry night three travelers arrive at her cottage asking for food and a place to rest. The opulently dressed men tell Babushka they are on a journey to take gifts to “a newborn king,” and they invite her to come along. Babushka declines the invitation but later packs up a basket of clothing, toys, and sweets, as well as her cat, and tries to follow the travelers. She meets needy children along the way, giving each child a much-appreciated gift, and then continues to wander all over her country, passing out presents. The emotionally satisfying folk tale is told in lyrical, polished prose that exudes an air of magic and mystery. Captivating, full-page illustrations in a cool palette of blues and purples set the Russian scene and help create a distinct personality for the doll-shaped Babushka. She is white, one of the wise men has dark skin, and Mary and baby Jesus (seen in a dream) have dark hair and light brown skin. The wise men, Mary, and Jesus are not named as such but referred to generically or with eponyms.
A delightful retelling of an intriguing tale that will make a fine read-aloud for families who celebrate Christmas as a Christian holiday. (Picture book/folk tale/religion. 4-8)Pub Date: Sept. 6, 2016
ISBN: 978-1-68099-188-8
Page Count: 32
Publisher: Good Books
Review Posted Online: Aug. 16, 2016
Kirkus Reviews Issue: Sept. 1, 2016
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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