by Dax-Devlon Ross ‧ RELEASE DATE: June 15, 2021
A fiery, eloquent call to action for White men who want to be on the right side of history.
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A Black man speaks hard truths to White men about their failure to dismantle systemic racism.
A “child of the Black bourgeoisie,” journalist Ross first learned “the shadow history of Black revolutionary struggle” in college. He accepted that he “directly benefited from the struggle that generations of Black folks had died in the name of, yet I wasn’t doing anything to help those who hadn’t benefited.” The author calls the White men of his generation, Gen X, to also recognize their complicity and miseducation. “We were fed cherry-picked narratives that confirmed the worthlessness of Black life,” he writes, “The euphemistic ‘culture of poverty,’ not systemic oppression, was to blame for the conditions in which so many Black people lived.” The story that White people have been told about Black people is “missing a major chapter,” and Ross thoroughly elucidates that chapter with a sweeping deep dive into decades of American social history and politics that is at once personal, compelling, and damning. Through a series of well-crafted personal letters, the author advises White men to check their motivations and “interrogate the allegedly self-evident, ‘commonsense’ values and beliefs” that perpetuate inequality and allow them to remain blissfully unaware of the insidiousness of racism and the ways they benefit from it. Ross condemns the “pathological unwillingness to connect the past with the present” and boldly avoids the comfortable “both sides” rhetoric that makes anti-racism work more palatable to White people. “It is on you,” he writes, “to challenge the color-blind narratives your parents peddle.” The letters are consistently compelling, covering wide ground that includes the broken criminal justice system, gentrification, and the problem with framing equity work as “charity.” Finally, Ross offers practical guidance and solutions for White men to employ at work, in their communities, and within themselves. Pair this one with Emmanuel Acho’s Uncomfortable Conversations With a Black Man.
A fiery, eloquent call to action for White men who want to be on the right side of history.Pub Date: June 15, 2021
ISBN: 978-1-250-27683-4
Page Count: 240
Publisher: St. Martin's
Review Posted Online: April 2, 2021
Kirkus Reviews Issue: May 1, 2021
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Shavone Charles ; illustrated by Ashley Lukashevsky
by Leo Baker ; illustrated by Ashley Lukashevsky
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