by D.B. Johnson & illustrated by D.B. Johnson ‧ RELEASE DATE: May 1, 2010
An homage to M.C. Escher’s head-tilting, mind-reeling artwork, this disorienting book asks children to stretch their imaginations and travel on a circuitous journey outside traditional, comfortable reading experiences. Mauk, an architect’s apprentice, wakes up in an upside-down world, and readers follow him as he makes a baffling commute to work. They also have a difficult trip ahead of them, as navigating the book is an arduous task. Children must use arrows to know where and how to continue reading the text, all while ignoring words in lighter lettering that run backward along the tops of pages. At the back of the book, they must flip it upside down to continue reading. While the altered perspective endows the illustrations with sudden clarity and richer meaning, readers will remain only mildly enthralled. Drab, blurry monochromatic color and flat, soulless imagery lack Escher’s exhilarating, engaging precision. When readers finally reach the ending, they realize it actually lies at the very beginning, on the very first page, using the very words that started Mauk’s whole adventure. Whoa! Few children will persevere through this exhausting journey. (Picture book. 6-8)
Pub Date: May 1, 2010
ISBN: 978-0-547-23999-6
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: June 20, 2011
Kirkus Reviews Issue: April 15, 2010
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Aug. 3, 2021
A brisk if bland offering for series fans, but cleverer metafictive romps abound.
The titular cookie runs off the page at a bookstore storytime, pursued by young listeners and literary characters.
Following on 13 previous How To Catch… escapades, Wallace supplies sometimes-tortured doggerel and Elkerton, a set of helter-skelter cartoon scenes. Here the insouciant narrator scampers through aisles, avoiding a series of elaborate snares set by the racially diverse young storytime audience with help from some classic figures: “Alice and her mad-hat friends, / as a gift for my unbirthday, / helped guide me through the walls of shelves— / now I’m bound to find my way.” The literary helpers don’t look like their conventional or Disney counterparts in the illustrations, but all are clearly identified by at least a broad hint or visual cue, like the unnamed “wizard” who swoops in on a broom to knock over a tower labeled “Frogwarts.” Along with playing a bit fast and loose with details (“Perhaps the boy with the magic beans / saved me with his cow…”) the author discards his original’s lip-smacking climax to have the errant snack circling back at last to his book for a comfier sort of happily-ever-after.
A brisk if bland offering for series fans, but cleverer metafictive romps abound. (Picture book. 6-8)Pub Date: Aug. 3, 2021
ISBN: 978-1-7282-0935-7
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: July 26, 2021
Kirkus Reviews Issue: Aug. 15, 2021
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by Alice Walstead ; illustrated by Emma Gillette & Andy Elkerton
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by Chris Van Allsburg & illustrated by Chris Van Allsburg ‧ RELEASE DATE: Oct. 28, 2002
A trite, knock-off sequel to Jumanji (1981). The “Jumanji” box distracts Walter Budwing away from beating up on his little brother Danny, but it’s Danny who discovers the Zathura board inside—and in no time, Earth is far behind, a meteor has smashed through the roof, and a reptilian Zyborg pirate is crawling through the hole. Each throw of the dice brings an ominous new development, portrayed in grainy, penciled freeze frames featuring sculptured-looking figures in constricted, almost claustrophobic settings. The angles of view are, as always, wonderfully dramatic, but not only is much of the finer detail that contributed to Jumanji’s astonishing realism missing, the spectacular damage being done to the Budwings’ house as the game progresses is, by and large, only glimpsed around the picture edges. Naturally, having had his bacon repeatedly saved by his younger sibling’s quick thinking, once Walter falls through a black hole to a time preceding the game’s start, his attitude toward Danny undergoes a sudden, radical transformation. Van Allsburg’s imagination usually soars right along with his accomplished art—but here, both are just running in place. (Picture book. 6-8)
Pub Date: Oct. 28, 2002
ISBN: 0-618-25396-3
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2002
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