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PLEASE DON'T READ THIS BOOK!

Slight, but inviting of energetic engagement and laughter.

A blue-green blob demonstrates that some rules are meant to be broken.

The blob looks like a round splatter of paint, with stick limbs and big eyes. “Oh, hi. I see you’ve opened this book,” it says in greeting. It warns that there are rules in the book. “You” must not do “any of the cool or awesome things” the rules say not to do “because then you’ll have WAY too much fun.” Listeners at just the right age may find this rib-ticklingly funny. The first rule is that a fart noise must not be made, with large letters to sound out the noise strewn colorfully across the two-page opening. While possibly a cheap chuckle, given the audience, it allows listeners to feel bold and enjoy some silly, supervised rule-breaking. The white background and creative use of text placement, size, and color keep the visual focus on the simple, instructive narrative. The blob demonstrates additional rules, becoming larger and more animated in its agitation as an unseen listener apparently breaks the following rules: do not make “the weirdest, silliest, most RE-DONK-A-DONK face you can,” or “tap your head and rub your belly at the same time,” or “hug yourself and yell I AM THE BEST,” or “turn to whoever else is in the room and say YOU’RE AWESOME, TOO!” And finally, “please do not ask to read this book again.” Good luck. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at 30.3% of actual size.)

Slight, but inviting of energetic engagement and laughter. (Picture book. 2-5)

Pub Date: Jan. 12, 2021

ISBN: 978-0-593-11681-4

Page Count: 32

Publisher: Philomel

Review Posted Online: Sept. 28, 2020

Kirkus Reviews Issue: Oct. 15, 2020

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CHICKA CHICKA HO HO HO

From the Chicka Chicka Book series

A successful swap from coconut tree to Christmas tree.

A Christmas edition of the beloved alphabet book.

The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.

A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)

Pub Date: Oct. 1, 2024

ISBN: 9781665954761

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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