A rare book on engineering and its economics that will satisfy general readers.
A welcome new entry in the how-stuff-works genre.
Everyone knows that roads and bridges are pieces of infrastructure, but so are light switches, sewers, telephone poles, and mailboxes; this imaginative book tells us how they work and what they mean. Writing about her childhood, Chachra, a professor at Olin College of Engineering, chronicles how her middle-class family in urban India received running water for one hour, twice per day, which they collected in buckets for bathing and flushing toilets and boiled for drinking. Electrical brownouts were routine. The author delivers a fine education on the technology that provides a seamless life for the lucky “global 10 percent.” All infrastructure requires energy. The automobile, which speeds us from place to place in a metal shell, requires enormous energy to manufacture and transport to the local dealership, but flipping a light switch makes us no less a human-machine hybrid. Infrastructure is “vast and collective,” but it makes us free. Chachra criticizes the idea of “off the grid,” a life that would be dominated by maintaining personal systems to deal with water, electricity, heat, cleaning, and producing and cooking food. The author devotes the second half of this superbly rendered book to the ongoing problems of her subject. A company can profit by building a pipeline or bridge; legislators boast of promoting it; the media celebrate its opening. Thereafter, like all infrastructure, it requires ongoing maintenance, which is boring and expensive and—all experts agree—wildly inadequate. Due to aging pipe systems, “15% of all clean drinking water in the U.S. is lost to leaks.” Every decade or so, when a bridge collapses, we mourn the victims, but little changes. Turning to “plan for abundant energy and finite materials,” Chachra is more optimistic than most, noting that “we are not doomed to a dystopian future of failing systems.”
A rare book on engineering and its economics that will satisfy general readers.Pub Date: Oct. 17, 2023
ISBN: 9780593086599
Page Count: 320
Publisher: Riverhead
Review Posted Online: July 26, 2023
Kirkus Reviews Issue: Aug. 15, 2023
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
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A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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