by Debbie Dadey ‧ RELEASE DATE: May 18, 2012
The underwater setting adds some dimension to straightforward friendship stories.
Prolific Dadey's (Keyholders: The Wrong Side of Magic, 2010, etc.) latest series follows young mermaids through turbulent friendships.
Eight-year-old best friends Shelly and Echo are overjoyed to be starting school at the prestigious Trident Academy at the same time. Rambunctious and good-natured, together they cause mild trouble, especially in trying to find a way to make grumpy Mr. Fangtooth crack a smile. Their friendship wobbles when they disagree over whether to ask Shelly's grandfather for help on a school project or not. The minor tiff leads to Echo's sudden friendship with Pearl, a rich snob who dislikes Shelly most of all. Echo and Shelly miss each other, though, and restore their friendship while reaching out to another mermaid who is new to the area and has made friends. While Echo and Shelly are not particularly distinctive, and Pearl and the archetypal token boy, Rocky, are cartoony, the characters' interactions are funny and believable. The friendship-driven conflicts continue in Battle of the Best Friends (publishing simultaneously). In Battle, Pearl books a top under-the-sea band to perform and invites Echo but not Shelly; the end again reinforces the importance of inclusiveness and rewards those who are nice.
The underwater setting adds some dimension to straightforward friendship stories. (class reports written by each character, song lyrics, author's note, glossary) (Fantasy. 6-9)Pub Date: May 18, 2012
ISBN: 978-1-4424-4978-7
Page Count: 112
Publisher: Aladdin
Review Posted Online: Feb. 28, 2012
Kirkus Reviews Issue: March 15, 2012
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by John Hare ; illustrated by John Hare ‧ RELEASE DATE: May 14, 2019
A close encounter of the best kind.
Left behind when the space bus departs, a child discovers that the moon isn’t as lifeless as it looks.
While the rest of the space-suited class follows the teacher like ducklings, one laggard carrying crayons and a sketchbook sits down to draw our home planet floating overhead, falls asleep, and wakes to see the bus zooming off. The bright yellow bus, the gaggle of playful field-trippers, and even the dull gray boulders strewn over the equally dull gray lunar surface have a rounded solidity suggestive of Plasticine models in Hare’s wordless but cinematic scenes…as do the rubbery, one-eyed, dull gray creatures (think: those stress-busting dolls with ears that pop out when squeezed) that emerge from the regolith. The mutual shock lasts but a moment before the lunarians eagerly grab the proffered crayons to brighten the bland gray setting with silly designs. The creatures dive into the dust when the bus swoops back down but pop up to exchange goodbye waves with the errant child, who turns out to be an olive-skinned kid with a mop of brown hair last seen drawing one of their new friends with the one crayon—gray, of course—left in the box. Body language is expressive enough in this debut outing to make a verbal narrative superfluous.
A close encounter of the best kind. (Picture book. 6-8)Pub Date: May 14, 2019
ISBN: 978-0-8234-4253-9
Page Count: 40
Publisher: Margaret Ferguson/Holiday House
Review Posted Online: Feb. 5, 2019
Kirkus Reviews Issue: March 1, 2019
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by Heena Baek ; illustrated by Heena Baek ; translated by Sophie Bowman ‧ RELEASE DATE: Sept. 1, 2021
An enigmatic, quirky representation of an active imagination in search of understanding and companionship.
A child finds connection to the world all around in this Korean import.
The illustrations in this unusual picture book achieve a 3-D effect reminiscent of claymation. The opening scene shows an aerial view of a playground scattered with maple and gingko leaves; a tethered dog watches a child aiming at marbles. Accustomed to spending time alone and solitary play, Tong Tong’s fertile imagination infuses a bag of assorted spherical hard candies with powers that give voice to unlikely speakers, such as the living room sofa and Marbles the old dog, each speaking with Tong Tong to share a sentient perspective. The hard candies also channel the tough love hidden within Tong Tong’s father and Grandma’s bubbly, reassuring voice emanating from another realm. The candies’ magic reveals yet another dimension when Tong Tong is drawn outdoors to witness nature’s beauty as copious falling leaves bid farewell to the season. Through these uncanny exchanges, Tong Tong not only makes surprising discoveries, but also delves into complex emotions, celebrates a continuing relationship with Grandma, and takes courageous steps toward a tantalizing conclusion. The enhanced artwork establishes depth and perspective, featuring details some may find initially unsettling—along with the cryptic, open-ended narrative. That said, depictions of facial expressions are skillful and endearing, and the interplay between text and illustrations will cause readers to linger and ponder.
An enigmatic, quirky representation of an active imagination in search of understanding and companionship. (Picture book. 6-9)Pub Date: Sept. 1, 2021
ISBN: 978-1-5420-2959-9
Page Count: 48
Publisher: Amazon Crossing Kids
Review Posted Online: July 13, 2021
Kirkus Reviews Issue: Aug. 1, 2021
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by Heena Baek ; illustrated by Heena Baek ; translated by Jieun Kiaer
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