Responding to her daughter’s question about how trees breathe without noses, the author celebrates the common features of trees and humans in this multicultural picture book more successful for its art than its science. She compares tree roots to human feet: “Roots anchor a tree, like your feet help you stand.” And: “A crown is the top of a tree, like your head is at the top of your body. The branches and leaves of a large crown give you lots of shade on a hot summer day.” While the extended metaphor is rather muddled, she succeeds in conveying a warm feeling for trees and the environment. In an afterword, she invites readers to send her a digital picture of a tree to post on her Web site, and concludes with thumbprint pictures and facts about trees and animals seen in the illustrations. The artist uses acrylic paint and gouache to great effect, presenting double-page layouts showing trees and children around the world. Especially appealing are a tropical layout with bananas, cocoa pods, butterfly, bat, boa constrictor, and a smiling face; and an island scene with a sandy beach, seabirds, sprouting coconut, and a young family. End papers show where in the world trees from different pages are found. A feel-good story from the tree-hugging illustration on the front cover to the cozy family picnic at the end. (Picture book. 5-7)
Pub Date: April 1, 2001
ISBN: 0-8027-8801-7
Page Count: 32
Publisher: Walker
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2002
Earnest and silly by turns, it doesn’t quite capture the attention or the imagination, although surely its heart is in the...
Rhymed couplets convey the story of a girl who likes to build things but is shy about it. Neither the poetry nor Rosie’s projects always work well.
Rosie picks up trash and oddments where she finds them, stashing them in her attic room to work on at night. Once, she made a hat for her favorite zookeeper uncle to keep pythons away, and he laughed so hard that she never made anything publicly again. But when her great-great-aunt Rose comes to visit and reminds Rosie of her own past building airplanes, she expresses her regret that she still has not had the chance to fly. Great-great-aunt Rose is visibly modeled on Rosie the Riveter, the iconic, red-bandanna–wearing poster woman from World War II. Rosie decides to build a flying machine and does so (it’s a heli-o-cheese-copter), but it fails. She’s just about to swear off making stuff forever when Aunt Rose congratulates her on her failure; now she can go on to try again. Rosie wears her hair swooped over one eye (just like great-great-aunt Rose), and other figures have exaggerated hairdos, tiny feet and elongated or greatly rounded bodies. The detritus of Rosie’s collections is fascinating, from broken dolls and stuffed animals to nails, tools, pencils, old lamps and possibly an erector set. And cheddar-cheese spray.
Earnest and silly by turns, it doesn’t quite capture the attention or the imagination, although surely its heart is in the right place. (historical note) (Picture book. 5-7)Pub Date: Sept. 3, 2013
ISBN: 978-1-4197-0845-9
Page Count: 32
Publisher: Abrams
Review Posted Online: July 16, 2013
Kirkus Reviews Issue: Aug. 1, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
``Water is dew. Water is ice and snow.'' No matter what form it takes, seldom has plain old water appeared so colorful as in this rainbow-hued look at rain, dew, snowflakes, clouds, rivers, floods, and seas. Asch celebrates water's many forms with a succinct text and lush paintings done in mostly in softly muted watercolors of aqua, green, rose, blue, and yellow. They look as if they were created with a wet-on-wet technique that makes every hue lightly bleed into its neighbor. Water appears as ribbons of color, one sliding into the other, while objects that are not (in readers' minds) specifically water-like—trees, rocks, roots—are similarly colored. Perhaps the author intends to show water is everything and everything is water, but the concept is not fully realized for this age group. The whole is charming, but more successful as art than science. Though catalogued as nonfiction, this title will be better off in the picture book section. (Picture book/nonfiction. 5-7)
Pub Date: March 1, 1995
ISBN: 0-15-200189-1
Page Count: 32
Publisher: Harcourt
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 15, 1995
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