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GOODNIGHT WORLD

This bumpy goodnight journey won’t likely lead to golden slumbers. (Picture book. 3-5)

A rhyming journey around a child’s world just before bedtime.

Swooping, colorful motifs on each spread and lilting couplets invite the familiar practice of bidding goodnight to vehicles, flowers, and animals big and small that later appear as toys in a child’s bedroom. Beginning in the stratosphere, the story tours various ecological habitats before landing at last in the bedroom of a white child whose parents are settling down for bed. Unfortunately, the book’s artwork falls short of lulling readers. Importantly, penguins and sea lions are more likely to be found in the Antarctic than the Arctic, as implied here. Disjointed organization transports readers from oceans under northern lights to trains and rocket ships, from birds, bees, and deep-sea fish to a sleepy zoo. Inconsistent scale and proportion pose further problems. What looks like a young white girl walking a dog outside soon disappears, while inside the house a few page turns later is a white woman reaching for the child (perhaps she is mother?), with the same dog curled up nearby. Additionally, the text, though at times endearing (“Goodnight lights above, aglow”), at other times hiccups a bit (“Goodnight moon, goodnight sun. / Goodnight, goodnight, to everyone”). Uneven meter and unclear meaning interrupt an otherwise soothing read-aloud.

This bumpy goodnight journey won’t likely lead to golden slumbers. (Picture book. 3-5)

Pub Date: Aug. 15, 2017

ISBN: 978-1-68119-363-2

Page Count: 32

Publisher: Bloomsbury

Review Posted Online: May 23, 2017

Kirkus Reviews Issue: June 15, 2017

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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I NEED A HUG

This is a tremendously moving story, but some people will be moved only on the second reading, after they’ve Googled “How to...

A hug shouldn’t require an instruction manual—but some do.

A porcupine can frighten even the largest animal. In this picture book, a bear and a deer, along with a small rabbit, each run away when they hear eight simple words and their name: “I need a hug. Will you cuddle me,…?” As they flee, each utters a definitive refusal that rhymes with their name. The repetitive structure gives Blabey plenty of opportunities for humor, because every animal responds to the question with an outlandish, pop-eyed expression of panic. But the understated moments are even funnier. Each animal takes a moment to think over the request, and the drawings are nuanced enough that readers can see the creatures react with slowly building anxiety or, sometimes, a glassy stare. These silent reaction shots not only show exquisite comic timing, but they make the rhymes in the text feel pleasingly subtle by delaying the final line in each stanza. The story is a sort of fable about tolerance. It turns out that a porcupine can give a perfectly adequate hug when its quills are flat and relaxed, but no one stays around long enough to find out except for an animal that has its own experiences with intolerance: a snake. It’s an apt, touching moral, but the climax may confuse some readers as they try to figure out the precise mechanics of the embrace.

This is a tremendously moving story, but some people will be moved only on the second reading, after they’ve Googled “How to pet a porcupine.” (Picture book. 3-5)

Pub Date: Jan. 29, 2019

ISBN: 978-1-338-29710-2

Page Count: 32

Publisher: Scholastic

Review Posted Online: Sept. 29, 2018

Kirkus Reviews Issue: Oct. 15, 2018

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