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THE STUPENDOUSLY SPECTACULAR SPELLING BEE

From the Spectacular Spelling Bee series , Vol. 1

This story about facing and overcoming one’s fears is a winner.

India Wimple is a brilliant speller.

Each Friday night, the Wimple family huddles around the TV to watch the Stupendously Spectacular Spelling Bee, and she spells the words correctly every time. Still, when her little brother, Boo, suggests she sign up for the competition, the extremely shy India has her doubts. After some convincing, India makes the “valorous decision” to go for it. With the support of her loving family and some townsfolk (dressed in animal onesies in the belief the silliness will give her confidence), India is soon on her way from rural Yungabilla to the live, televised final at the Sydney Opera House. Each chapter of this Australian import begins with a featured word, defined and used in a sentence, that sums up the chapter. The black-and-white artwork supports the assumption that India (named for the country where her white parents met) is white; however, the illustrations of a dark-haired India contradict the text, which describes her as a redhead. Most of the supporting characters are white, although India’s spelling bee competitor and new friend is an actual Indian boy named Rajish. Both droll and heartwarming, the tale is rather more reminiscent of Little Miss Sunshine than Spellbound in its evocation of the quirky, lovingly supportive Wimples.

This story about facing and overcoming one’s fears is a winner. (Fiction. 7-11)

Pub Date: April 1, 2018

ISBN: 978-1-4926-6211-2

Page Count: 240

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Feb. 2, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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