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AN ETROG FROM ACROSS THE SEA

A homey, appealing holiday celebration.

A Jewish family in colonial New York hopes Papa will come back in time for Sukkot.

In July 1729, Leah, Aaron, and Mama wait for Papa, a merchant currently on the island of Corsica, to return to their woodland homestead. The Jewish holidays are approaching, and Papa has promised to bring home an etrog, a citrus fruit resembling a bumpy lemon. (This fruit is one of four plants used to decorate a sukkah, a small hut built by observant Jews to celebrate Sukkot.) The family travels to Grandpapa Luis’ elegant New York City home to await Papa’s ship; it doesn’t come. Rosh Hashanah and Yom Kippur pass; still, Papa doesn’t return. At last, Mama declares it’s time they leave; she must run their business. Grandpapa Luis gives Leah a silver cup; she can put the etrog into it when Papa finally comes back. Back home, the family builds and decorates their sukkah and waits. The first night of Sukkot is especially joyous: Papa returns, bringing his promised bounty. This touching story, written by two rabbis, offers a glimpse into a lesser-known aspect of colonial America and celebrates the warmth of family togetherness. The authors’ note explains that Grandpapa Luis is based on Luis Moises Gomez, a Sephardic Jewish colonial merchant and trader. The lovely, stylized illustrations expertly capture historical details and resemble delicate paintings on porcelain or needlework on embroidery samplers.

A homey, appealing holiday celebration. (Picture book. 5-8)

Pub Date: Aug. 6, 2024

ISBN: 9798765604496

Page Count: 32

Publisher: Kar-Ben

Review Posted Online: May 17, 2024

Kirkus Reviews Issue: June 15, 2024

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HOW TO CATCH A LOVEOSAURUS

From the How To Catch… series

Sugary uplift, shrink-wrapped for the masses.

An elusive new quarry leads the How To Catch… kids on a merry chase through a natural history museum.

Taking at least a step away from the “hunters versus prey” vibe of previous entries in the popular series, the racially diverse group of young visitors dashes through various museum halls in pursuit of the eponymous dino—whose quest to “spread kindness and joy ’round the world” takes the form of a mildly tumultuous museum tour. In most of Elkerton’s overly sweet, color-saturated scenes, only portions of the Loveosaurus, who is purple and covered with pink hearts, are visible behind exhibits or lumbering off the page. But the children find small enticements left behind, from craft supplies to make cards for endangered species to pictures of smiley faces, candy heart–style personal notes (“You Rock!” “Give Hugs”), and, in the hall of medieval arms and armor, a sign urging them to “Be Honest Be Kind.” The somewhat heavy-handed lesson comes through loud and clear. “There’s a message, he wants us to think,” hints Walstead to clue in more obtuse readers…and concluding scenes of smiling people young and otherwise exchanging hugs and knuckle bumps, holding doors for a wheelchair rider, and dancing through clouds of sparkles indicate that they, at least, have gotten it. (This book was reviewed digitally.)

Sugary uplift, shrink-wrapped for the masses. (Picture book. 5-7)

Pub Date: Dec. 6, 2022

ISBN: 9781728268781

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: Jan. 17, 2023

Kirkus Reviews Issue: Feb. 15, 2023

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I KNOW AN OLD LADY WHO SWALLOWED A DREIDEL

Fun, in an odd sort of way.

The old folk song is given a Hanukkah spin in a parody that blends Jewish tradition with art appreciation.

The kerchiefed grandma swallows a tiny dreidel placed atop her cream-cheesed bagel by the family cat, setting off the familiar chain of events. She swallows the oil, the latkes, 10 barrels of applesauce, a 20-ton brisket, a “mine full of gelt, before it could melt,” the menorah and candles until she is finally full. A large burp makes her feel better. The silliness, cadence and rhythm of the verse all work with the original tune; it can be a tongue twister at times but will keep kids engaged. “I know an old lady who swallowed a menorah— / A mountainous menorah, while we danced the hora.” Acrylic-based drawings using charcoal, pen and pencil place this bubbe in various scenes taken from classical paintings, providing an educational twist. She appears in comical versions of Munch’s The Scream and Vermeer’s The Milkmaid. The applesauce in a red-and-white can spoofs Andy Warhol’s Campbell Soup Cans, and the menorah is set against the background of van Gogh’s The Starry Night. Adults will see the humor but might wonder about the artist’s point in his note stating that “a new look at famous works of art seemed like the perfect way to help people of all backgrounds enjoy this fresh take on an ancient holiday.”

Fun, in an odd sort of way. (Picture book. 5-8)

Pub Date: Aug. 26, 2014

ISBN: 978-0-439-91530-4

Page Count: 32

Publisher: Levine/Scholastic

Review Posted Online: Aug. 11, 2014

Kirkus Reviews Issue: Sept. 1, 2014

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