Despite a few moments of icky sentimentality, newcomer Boehm's fascinating subject matter, engaging cast, unerring prose,...
A witty, well-crafted fictional debut from an accomplished journalist, translator, and memoirist (A Zen Romance: One Woman's Adventures in a Monastery, 1996): eight stories, all set in contemporary Japan, that chronicle supernatural occurrences in the often-lonely lives of educated urbanites.
Postmodern retellings of the traditional Japanese ghost stories popularized in the West by fin de siècle journalist Lafcadio Hearn, these longish, plot-driven pieces are actually—aside from the paranormal episodes at the heart of them—tales of romance rather than the grisly stuff of Poe or Lovecraft. "Hungry Ghosts in Love," the centerpiece of the collection, concerns Josephine Stelle, a "third-generation travel writer [and] third-generation woman of passion" who spends every waking moment trying to live up to the standards set by her intrepid grandmother Leda, reputedly one of Pancho Villa's lovers, by jetting around the globe, writing insipid articles ("Cannibal Fashion," "Best Hotel Brunches of Waikiki") for Japanese English-language travel magazines, and engaging in brief, torrid affairs with unsuitable men. Attempting to avoid one particularly offensive paramour, she impulsively treks up to a mountainous region of Japan known as the Valley of Hell, where she falls in love with Gaki, a gorgeous priest who lives alone in an ancient little shrine. When she returns to her Kyoto home, Josephine discovers that gaki means "hungry ghost." In "The Samurai Goodbye," the funniest and most nightmarish story here, a young Ph.D. program dropout—and grandson of a legendary chronicler of Japanese lore, clearly modeled on Lafcadio Hearn—finds himself haunted by faceless demons.
Despite a few moments of icky sentimentality, newcomer Boehm's fascinating subject matter, engaging cast, unerring prose, and superb sense of voice make for a compelling read.Pub Date: March 1, 2001
ISBN: 4-7700-2531-9
Page Count: 256
Publisher: Kodansha
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
BOOK REVIEW
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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