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LAST CALL AT THE HOTEL IMPERIAL

THE REPORTERS WHO TOOK ON A WORLD AT WAR

An exceptional book of cultural history that makes one long for the days of teletype, booze, spies, and scoops.

A scintillating group biography of once-famed journalists who were alternately friends, allies, lovers, and rivals.

Of the central ring of reporters Cohen profiles in this excellent ensemble study, only John Gunther is well remembered, mostly for his bestselling 1949 book, Death Be Not Proud. Some second-tier members are better known: William Shirer, author of The Rise and Fall of the Third Reich (1960), and Rebecca West, author of Black Lamb and Grey Falcon (1941). Yet everyone who passes under Cohen’s gaze is fascinating: H.R. Knickerbocker, known as Knick, winner of the Pulitzer Prize for his reporting on Stalin’s Russia; Jimmy Sheean, who won the first National Book Award for biography, in 1935; Dorothy Thompson, the first woman to head a foreign news bureau, in Berlin; and Gunther’s wife, Frances, an intimate of Jawaharlal Nehru’s with a lively command of both the English language and world politics. All produced extraordinary reportage that helped American readers understand the forces leading up to World War II, undertaking considerable risks. As Sheean wrote of Thompson, she excelled because “she could always step over the corpses and go on, steadily, resolutely, right to the end, with her head held very high indeed,” while Knick spent a terrifying couple of days sure that he would be executed by “Franco’s goons.” Cohen’s narrative reads like an Alan Furst novel, full of close calls and intrigue—e.g., Gunther had an affair with a Danish journalist who was a guest of Hitler’s at the 1936 Olympics, slept with John F. Kennedy, and was suspected of being a spy but really was just “an equal opportunity enchantress.” The reporters’ prescience was extraordinary, as when Sheean predicted that Gandhi would be killed by another Hindu. Cohen, a professor of humanities at Northwestern, convincingly argues, too, that journalism was the true literature of the interwar period, shaped by outsiders from small towns who wanted to better understand the world.

An exceptional book of cultural history that makes one long for the days of teletype, booze, spies, and scoops.

Pub Date: March 15, 2022

ISBN: 978-0-525-51119-9

Page Count: 592

Publisher: Random House

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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MARK TWAIN

Essential reading for any Twain buff and student of American literature.

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A decidedly warts-and-all portrait of the man many consider to be America’s greatest writer.

It makes sense that distinguished biographer Chernow (Washington: A Life and Alexander Hamilton) has followed up his life of Ulysses S. Grant with one of Mark Twain: Twain, after all, pulled Grant out of near bankruptcy by publishing the ex-president’s Civil War memoir under extremely favorable royalty terms. The act reflected Twain’s inborn generosity and his near pathological fear of poverty, the prime mover for the constant activity that characterized the author’s life. As Chernow writes, Twain was “a protean figure who played the role of printer, pilot, miner, journalist, novelist, platform artist, toastmaster, publisher, art patron, pundit, polemicist, inventor, crusader, investor, and maverick.” He was also slippery: Twain left his beloved Mississippi River for the Nevada gold fields as a deserter from the Confederate militia, moved farther west to California to avoid being jailed for feuding, took up his pseudonym to stay a step ahead of anyone looking for Samuel Clemens, especially creditors. Twain’s flaws were many in his own day. Problematic in our own time is a casual racism that faded as he grew older (charting that “evolution in matters of racial tolerance” is one of the great strengths of Chernow’s book). Harder to explain away is Twain’s well-known but discomfiting attraction to adolescent and even preadolescent girls, recruiting “angel-fish” to keep him company and angrily declaring when asked, “It isn’t the public’s affair.” While Twain emerges from Chernow’s pages as the masterful—if sometimes wrathful and vengeful—writer that he is now widely recognized to be, he had other complexities, among them a certain gullibility as a businessman that kept that much-feared poverty often close to his door, as well as an overarchingly gloomy view of the human condition that seemed incongruous with his reputation, then and now, as a humanist.

Essential reading for any Twain buff and student of American literature.

Pub Date: May 13, 2025

ISBN: 9780525561729

Page Count: 1200

Publisher: Penguin Press

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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