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JACKAL IN THE GARDEN

AN ENCOUNTER WITH BIHZAD

A baby girl born with a facial deformity is left to die in the dessert of Persia, but her mother, the number one wife in the harem, rescues the child. Nicknamed Anubis, or Jackal, the child grows up under her mother’s protection, learning things no ordinary girl would know: reading, chess and swordplay. When her mother dies after one of her father’s beatings, the Jackal flees the harem, but not before killing her father. In the dessert, Anubis continues her avenging ways, killing five men who raped and killed a woman they had abducted. Eventually, Anubis finds a safe haven in an artist colony where the famous miniaturist, Bihzad, befriends her. The bold misfit and the modest miniaturist teach each other about coping with the loneliness and sorrow of the world. Ellis creates an exotic atmosphere of sights, sounds, and tastes for her novel about a memorable, if anachronistic, heroine. (Fiction. 12-15)

Pub Date: Jan. 1, 2007

ISBN: 0-8230-0415-5

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2006

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THE BOY IN THE STRIPED PAJAMAS

Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point.

After Hitler appoints Bruno’s father commandant of Auschwitz, Bruno (nine) is unhappy with his new surroundings compared to the luxury of his home in Berlin.

The literal-minded Bruno, with amazingly little political and social awareness, never gains comprehension of the prisoners (all in “striped pajamas”) or the malignant nature of the death camp. He overcomes loneliness and isolation only when he discovers another boy, Shmuel, on the other side of the camp’s fence. For months, the two meet, becoming secret best friends even though they can never play together. Although Bruno’s family corrects him, he childishly calls the camp “Out-With” and the Fuhrer “Fury.” As a literary device, it could be said to be credibly rooted in Bruno’s consistent, guileless characterization, though it’s difficult to believe in reality. The tragic story’s point of view is unique: the corrosive effect of brutality on Nazi family life as seen through the eyes of a naïf. Some will believe that the fable form, in which the illogical may serve the objective of moral instruction, succeeds in Boyne’s narrative; others will believe it was the wrong choice.

Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point. (Fiction. 12-14)

Pub Date: Sept. 12, 2006

ISBN: 0-385-75106-0

Page Count: 224

Publisher: David Fickling/Random

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2006

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BAD GIRLS NEVER SAY DIE

Stronger books may exist about the 1960s, but female friendship tales never go out of style.

For “bad girls,” hell can be a place on Earth.

In Houston in the early ’60s, girls only seem to have two choices: be a good girl and get married or be a bad girl and live your life. Fifteen-year-old Evie, from a working-class White family, became a bad girl after her sister’s shotgun wedding took her away from home. Mexican American neighbor Juanita, who smokes, drinks, wears intense eye makeup, and runs with the tough crowd, takes Evie under her wing, but despite the loyalty of this new sisterhood, Evie often feels uncertain of her place. When a rich girl from the wealthy part of town named Diane saves Evie from assault by killing the attacker, Evie finds a new friend and, through that friendship, discovers her own courage. This work borrows a few recognizable beats from S.E. Hinton’s 1967 classic, The Outsiders—class tensions, friendship, death, and a first-person narrative that frequently employs the word tuff—but with a gender-swapped spin. Overall, the novel would have benefited from a stronger evocation of the setting. During an era of societal upheaval, Evie struggles to reconcile her frustration at the limited roles defined for her and her friends, with many moments of understanding and reflection that will resonate with modern readers’ sensibilities—although sadly she still victim blames herself for the attempted assault.

Stronger books may exist about the 1960s, but female friendship tales never go out of style. (author's note, resources) (Historical fiction. 12-15)

Pub Date: Oct. 19, 2021

ISBN: 978-1-250-23258-8

Page Count: 304

Publisher: Roaring Brook Press

Review Posted Online: Aug. 15, 2021

Kirkus Reviews Issue: Sept. 1, 2021

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