The book is dedicated “to all who just need a moment of peace,” but it may leave readers feeling far from peaceful.
A collection of short stories organized around the mental image of a sitting child.
It begins with a young boy, Jafar, who works in a furniture factory under an abusive boss, secretly attending a school for working children. He attaches a short poem to one of the chairs that he’s made to be shipped off into the world, leading right to the next story, about a little girl, Macie, who defiantly sits in a timeout chair. The stories progress from one character to the next, continuing the thread. In “The Question Chair,” German student Gretchen ponders the Holocaust while seated on a communal toilet during a tour of a concentration camp. In another story, Jed, an Amish boy, sits on a schoolhouse fence, anxious about the task set before him: to help restore a school that was ambushed by a shooter. His little sister had been one of the fatalities. The apparent purpose of the book is to draw attention to traumatic events in the lives of children the world over, but Ellis’ attempts to personalize these stories through the main characters often leave readers working to fill in the gaps. Without resolution, the stories provoke unease, and how readers respond to them may depend in large part on whether they have suffered trauma themselves.
The book is dedicated “to all who just need a moment of peace,” but it may leave readers feeling far from peaceful. (Short stories. 10-14)Pub Date: Oct. 3, 2017
ISBN: 978-1-77306-086-6
Page Count: 128
Publisher: Groundwood
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense.
In the midst of political turmoil, how do you escape the only country that you’ve ever known and navigate a new life? Parallel stories of three different middle school–aged refugees—Josef from Nazi Germany in 1938, Isabel from 1994 Cuba, and Mahmoud from 2015 Aleppo—eventually intertwine for maximum impact.
Three countries, three time periods, three brave protagonists. Yet these three refugee odysseys have so much in common. Each traverses a landscape ruled by a dictator and must balance freedom, family, and responsibility. Each initially leaves by boat, struggles between visibility and invisibility, copes with repeated obstacles and heart-wrenching loss, and gains resilience in the process. Each third-person narrative offers an accessible look at migration under duress, in which the behavior of familiar adults changes unpredictably, strangers exploit the vulnerabilities of transients, and circumstances seem driven by random luck. Mahmoud eventually concludes that visibility is best: “See us….Hear us. Help us.” With this book, Gratz accomplishes a feat that is nothing short of brilliant, offering a skillfully wrought narrative laced with global and intergenerational reverberations that signal hope for the future. Excellent for older middle grade and above in classrooms, book groups, and/or communities looking to increase empathy for new and existing arrivals from afar.
Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense. (maps, author’s note) (Historical fiction. 10-14)Pub Date: July 25, 2017
ISBN: 978-0-545-88083-1
Page Count: 352
Publisher: Scholastic
Review Posted Online: May 9, 2017
Kirkus Reviews Issue: June 1, 2017
PROFILES
An endearing protagonist runs the first, fast leg of Reynolds' promising relay.
Castle “Ghost” Cranshaw feels like he’s been running ever since his dad pulled that gun on him and his mom—and used it.
His dad’s been in jail three years now, but Ghost still feels the trauma, which is probably at the root of the many “altercations” he gets into at middle school. When he inserts himself into a practice for a local elite track team, the Defenders, he’s fast enough that the hard-as-nails coach decides to put him on the team. Ghost is surprised to find himself caring enough about being on the team that he curbs his behavior to avoid “altercations.” But Ma doesn’t have money to spare on things like fancy running shoes, so Ghost shoplifts a pair that make his feet feel impossibly light—and his conscience correspondingly heavy. Ghost’s narration is candid and colloquial, reminiscent of such original voices as Bud Caldwell and Joey Pigza; his level of self-understanding is both believably childlike and disarming in its perception. He is self-focused enough that secondary characters initially feel one-dimensional, Coach in particular, but as he gets to know them better, so do readers, in a way that unfolds naturally and pleasingly. His three fellow “newbies” on the Defenders await their turns to star in subsequent series outings. Characters are black by default; those few white people in Ghost’s world are described as such.
An endearing protagonist runs the first, fast leg of Reynolds' promising relay. (Fiction. 10-14)Pub Date: Aug. 30, 2016
ISBN: 978-1-4814-5015-7
Page Count: 192
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
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