by Deborah Ellis ‧ RELEASE DATE: March 15, 2012
Casey, whose misplaced loyalty indicates startling ignorance of her friend’s character, is a bore. Jess—sharply insightful,...
Known for powerful tales of social injustice in the developing world, Ellis here offers readers a flawed but gripping character study of teens in small-town Canada.
Recognized as the best friend of Casey White, a girl who was tried for murder in a sensational case, waitress and narrator Jess decides to tell her story. As counselors at a summer camp, Jess and Casey supervised young campers, including troubled and troublesome Stephanie Glass. Casey was arrested after Stephanie was murdered and her favorite T-shirt turned up, bloodstained, in Casey’s duffle. Interwoven with Jess’s account are flashbacks to their long friendship. These recollections work against the framing narrative device, in which Jess addresses a putative customer. Jess, an outcast, longs to be someone’s best friend; her attraction to Casey makes sense. But what does Casey see in Jess? Casey has no interest in peer acceptance. With a lifelong passion for insects, she plans to become an entomologist. Aimless, lazy Jess has no ambition beyond securing Casey’s undivided attention and loyalty—that is, until Casey’s arrest gives her entrée to the popular crowd.
Casey, whose misplaced loyalty indicates startling ignorance of her friend’s character, is a bore. Jess—sharply insightful, but selfish and entirely lacking in empathy—may be a piece of work, but she grabs readers’ attention and never lets it go. (Fiction. 12 & up)Pub Date: March 15, 2012
ISBN: 978-0-9869495-3-1
Page Count: 236
Publisher: Pajama Press
Review Posted Online: Jan. 17, 2012
Kirkus Reviews Issue: Feb. 1, 2012
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by Laura Nowlin ‧ RELEASE DATE: April 1, 2013
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
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SEEN & HEARD
by Kerri Maniscalco ‧ RELEASE DATE: Sept. 20, 2016
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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