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SCRIBBLE

Two children’s drawings come to life in a clear case of, as the blurb so aptly puts it, “scribbling rivalry.” After big sister Emma makes a slighting comment about her “scribble-kitty,” Lucie covers Emma’s slightly more elaborate picture of a sleeping princess in furious scrawls of crayon. When Scribble-Kitty decides to see what a Princess looks like, though, the tangle of scrawls becomes an obstacle, and it’s only with help from a repentant Lucie that the lines are pulled aside into a neat coil. When Kitty reaches the Princess and kisses her, she wakes up and they decide to get married. Coming back into view, Emma protests that they can’t—“But they did. And they all lived Happily Ever After. As drawings sometimes do.” In panels that shift and overlap, the children are drawn realistically to keep the boundaries between real and play worlds separate—but like its ancestor Harold and the Purple Crayon, the unselfconscious (at least until the end) exploration of those boundaries here is liable to spark young imaginations. (Picture book. 5-7)

Pub Date: May 8, 2007

ISBN: 978-0-375-83966-5

Page Count: 40

Publisher: Knopf

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 15, 2007

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BECAUSE YOUR DADDY LOVES YOU

Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)

Pub Date: May 23, 2005

ISBN: 0-618-00361-4

Page Count: 32

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2005

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ROBOBABY

A retro-futuristic romp, literally and figuratively screwy.

Robo-parents Diode and Lugnut present daughter Cathode with a new little brother—who requires, unfortunately, some assembly.

Arriving in pieces from some mechanistic version of Ikea, little Flange turns out to be a cute but complicated tyke who immediately falls apart…and then rockets uncontrollably about the room after an overconfident uncle tinkers with his basic design. As a squad of helpline techies and bevies of neighbors bearing sludge cake and like treats roll in, the cluttered and increasingly crowded scene deteriorates into madcap chaos—until at last Cath, with help from Roomba-like robodog Sprocket, stages an intervention by whisking the hapless new arrival off to a backyard workshop for a proper assembly and software update. “You’re such a good big sister!” warbles her frazzled mom. Wiesner’s robots display his characteristic clean lines and even hues but endearingly look like vaguely anthropomorphic piles of random jet-engine parts and old vacuum cleaners loosely connected by joints of armored cable. They roll hither and thither through neatly squared-off panels and pages in infectiously comical dismay. Even the end’s domestic tranquility lasts only until Cathode spots the little box buried in the bigger one’s packing material: “TWINS!” (This book was reviewed digitally with 9-by-22-inch double-page spreads viewed at 52% of actual size.)

A retro-futuristic romp, literally and figuratively screwy. (Picture book. 5-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-544-98731-9

Page Count: 32

Publisher: Clarion Books

Review Posted Online: June 2, 2020

Kirkus Reviews Issue: June 15, 2020

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