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A BOY CALLED DICKENS

This thoughtful and entertaining portrait offers a model for reading critically that will bear fruit as readers grow.

Metafictive techniques and atmospheric graphite, ink and acrylic compositions effectively pull readers into the life and soul of 12-year-old Charles Dickens.

As in Hendrix and Hopkinson’s Abe Lincoln Crosses a Creek (2008), the narrator addresses the audience directly, inviting viewers to search for the boy in the London fog, experience his long day in the vermin-infested shoe-polish factory and consider the effects of dysfunctional parenting on a youth. Both accessible and rich in simile and metaphor, this fictionalized biography concerns the budding novelist’s coming of age, as he ekes out a living (during his family’s stint in debtors’ prison) and pursues his dream. Page designs vary, some combining four distinct layers: a Leonardo-inspired composition that creates convincing depth in the hazy distance; a realistic cityscape bathed in grays and browns; close-up, highly-focused caricatures, rendered in a brighter palette; and swirling, blue, otherworldly figments of the boy’s imagination. He is often “surrounded by…ladies with shattered hopes; a miserly old man; a young gentleman with great expectations….” David Copperfield appears in an imagined encounter relayed to Dickens’ friend, Fagin. The final scene portrays the celebrated adult author, after which Hopkinson reflects on Dickens’ difficulty in discussing his adolescence and “how much we all might lose when a child’s dreams don’t come true.”  

This thoughtful and entertaining portrait offers a model for reading critically that will bear fruit as readers grow. (author’s note) (Picture book. 5-9)

Pub Date: Jan. 10, 2012

ISBN: 978-0-375-86732-3

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Nov. 1, 2011

Kirkus Reviews Issue: Nov. 15, 2011

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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STINK AND THE MIDNIGHT ZOMBIE WALK

From the Stink series

This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the...

An all-zombie-all-the-time zombiefest, featuring a bunch of grade-school kids, including protagonist Stink and his happy comrades.

This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the streets in the time-honored stiff-armed, stiff-legged fashion. McDonald signals her intent on page one: “Stink and Webster were playing Attack of the Knitting Needle Zombies when Fred Zombie’s eye fell off and rolled across the floor.” The farce is as broad as the Atlantic, with enough spookiness just below the surface to provide the all-important shivers. Accompanied by Reynolds’ drawings—dozens of scene-setting gems with good, creepy living dead—McDonald shapes chapters around zombie motifs: making zombie costumes, eating zombie fare at school, reading zombie books each other to reach the one-million-minutes-of-reading challenge. When the zombie walk happens, it delivers solid zombie awfulness. McDonald’s feel-good tone is deeply encouraging for readers to get up and do this for themselves because it looks like so much darned fun, while the sub-message—that reading grows “strong hearts and minds,” as well as teeth and bones—is enough of a vital interest to the story line to be taken at face value.

Pub Date: March 13, 2012

ISBN: 978-0-7636-5692-8

Page Count: 160

Publisher: Candlewick

Review Posted Online: Dec. 13, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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