by Deborah Hopkinson ‧ RELEASE DATE: Sept. 27, 2016
Fascinating World War II history for history buffs and browsers alike.
Hopkinson’s writing plumbs the depths in relating the undersea exploits of American submariners during World War II.
“The U.S. Navy fought the Pacific Ocean phase of World War II on a liquid chessboard,” according to Adm. Bernard A. Clarey, and while sailors and battleships island-hopped across the Pacific, the “Silent Service” of gallant submariners lurked below the surface, facing what naval historian Theodore Roscoe called “the overwhelming forces of the Unknown.” With an emphasis on first-person accounts—such as that of 15-year-old Martin Matthews, a young white man who lied about his age and joined the Navy just in time to be on the Arizona during the attack on Pearl Harbor—Hopkinson crafts a gripping narrative. It’s supplemented with three types of interspersed text: “briefings” with information about the war (including a section on African-American submariners), “dispatches” offering stories of interest and first-person accounts, and “submarine school,” about submarines and submariners. Numerous dramatic black-and-white photographs offer a parallel visual story. Told chronologically, from Pearl Harbor through the end of the war, with frequent news reports from above the surface, such as engrossing accounts of Bataan and Corregidor, the fascinating volume serves as a solid history of the war in the Pacific. Extensive backmatter includes a glossary, a timeline, facts and statistics about submarines, and links to resources.
Fascinating World War II history for history buffs and browsers alike. (epilogue, bibliography, source notes) (Nonfiction. 8-14)Pub Date: Sept. 27, 2016
ISBN: 978-0-545-42558-2
Page Count: 384
Publisher: Scholastic
Review Posted Online: June 21, 2016
Kirkus Reviews Issue: July 1, 2016
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by Alyssa Bermudez ; illustrated by Alyssa Bermudez ‧ RELEASE DATE: Aug. 17, 2021
An authentic and moving time capsule of middle school angst, trauma, and joy.
Through the author’s own childhood diary entries, a seventh grader details her inner life before and after 9/11.
Alyssa’s diary entries start in September 2000, in the first week of her seventh grade year. She’s 11 and dealing with typical preteen concerns—popularity and anxiety about grades—along with other things more particular to her own life. She’s shuffling between Queens and Manhattan to share time between her divorced parents and struggling with thick facial hair and classmates who make her feel like she’s “not a whole person” due to her mixed White and Puerto Rican heritage. Alyssa is endlessly earnest and awkward as she works up the courage to talk to her crush, Alejandro; gushes about her dreams of becoming a shoe designer; and tries to solve her burgeoning unibrow problem. The diaries also have a darker side, as a sense of impending doom builds as the entries approach 9/11, especially because Alyssa’s father works in finance in the World Trade Center. As a number of the diary entries are taken directly from the author’s originals, they effortlessly capture the loud, confusing feelings middle school brings out. The artwork, in its muted but effective periwinkle tones, lends a satisfying layer to the diary’s accessible and delightful format.
An authentic and moving time capsule of middle school angst, trauma, and joy. (author's note) (Graphic memoir. 8-13)Pub Date: Aug. 17, 2021
ISBN: 978-1-250-77427-9
Page Count: 288
Publisher: Roaring Brook Press
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
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by Sarah-SoonLing Blackburn ‧ RELEASE DATE: March 26, 2024
Deftly written and informative; a call for vigilance and equality.
An examination of the history of Chinese American experiences.
Blackburn opens with a note to readers about growing up feeling invisible as a multicultural, biracial Chinese American. She notes the tremendous diversity of Chinese American history and writes that this book is a starting point for learning more. The evenly paced narrative starts with the earliest recorded arrival of the Chinese in America in 1834. A teenage girl, whose real name is unknown, arrived in New York Harbor with the Carnes brothers, merchants who imported Chinese goods and put her on display “like an animal in a circus.” The author then examines shifting laws, U.S. and global political and economic climates, and changing societal attitudes. The book introduces the highlighted people—including Yee Ah Tye, Wong Kim Ark, Mabel Ping-Hua Lee, and Vincent Chen—in relation to lawsuits or other transformative events; they also stand as examples for explaining concepts such as racial hierarchy and the model minority myth. Maps, photos, and documents are interspersed throughout. Chapters close with questions that encourage readers to think critically about systems of oppression, actively engage with the material, and draw connections to their own lives. Although the book covers a wide span of history, from the Gold Rush to the rise in anti-Asian hate during the Covid-19 pandemic, it thoroughly explains the various events. Blackburn doesn’t shy away from describing terrible setbacks, but she balances them with examples of solidarity and progress.
Deftly written and informative; a call for vigilance and equality. (resources, bibliography, image credits) (Nonfiction. 10-14)Pub Date: March 26, 2024
ISBN: 9780593567630
Page Count: 288
Publisher: Crown
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
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