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INDEPENDENCE CAKE

A REVOLUTIONARY CONFECTION INSPIRED BY AMELIA SIMMONS, WHOSE TRUE HISTORY IS UNFORTUNATELY UNKNOWN

One part fiction, one part history lesson, this likable story is an amusing introduction to one slice of early American life.

The true history of Amelia Simmons, the author of America’s first cookbook, has been lost. Enter this whimsical, fictionalized account of what could’ve been, delectable cakes included!

After Amelia’s parents die in the first two sentences, the mob-capped white girl is taken in by Mrs. Bean to help with chores and watch her six rambunctious sons, all also white. Amelia cleans clothes, scrubs pots, picks apples, and that’s only half of it! What she doesn’t already know how to do, she learns. Mrs. Bean is ever so grateful. “You’ve brightened our lives like a star on the flag.” In addition to her chores, Amelia wants “to learn good, plain American cookery and [to] share recipes with my fellow citizens.” Soon, Amelia is inventing delicious new recipes using American ingredients and becomes the talk of the town, eventually baking the titular (enormous!) cake in honor of the newly elected president, George Washington. The tale presents a distinctly rosy vision of life as an orphaned “bound girl” in late-18th-century America. Too good to be true? Perhaps. But Hopkinson’s lively text—rife with allegorical Americana—and Potter’s charming watercolor-and-ink illustrations team up to tell an entertaining story. Readers will delight in spotting every single rosy-cheeked Bean boy on the page, all up to no good!

One part fiction, one part history lesson, this likable story is an amusing introduction to one slice of early American life. (author’s note, recipe) (Picture book. 4-8)

Pub Date: May 9, 2017

ISBN: 978-0-385-39017-0

Page Count: 44

Publisher: Schwartz & Wade/Random

Review Posted Online: Feb. 13, 2017

Kirkus Reviews Issue: March 1, 2017

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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HOW TO CATCH A MONSTER

From the How To Catch… series

Only for dedicated fans of the series.

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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