Sally, so small her feet don’t reach the floorboards of her Pa’s stagecoach, loves to ride and sing (and she can shoot, too). When an encounter with a hornet’s nest leaves only Sal to drive the mail, she sets off with no fear of Poetic Pete, the polite, versifying robber. When she encounters him, she invites him to ride shotgun with her and keeps him from speaking at all by singing “Sweet Betsy from Pike” and “Polly Wolly Doodle,” then neatly cuffs him after he falls asleep. Both the text and the typefaces are as bouncy and lively as the songs and the story, skittering up, down and around the pages. Ellis’s art places primitive-looking figures and landscape on white backgrounds so they float in space, as do pigtails, hats, luggage, feet—nothing is ever firmly planted. The images thus echo the rollicking text, which begs to be read aloud. Based on the real Delia Haskett Rawson, the first and possibly only woman to carry the U.S. mail by stagecoach in California, the story has a wonderful energy and verve. (author’s note) (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-1-4231-1149-8
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
An inspiring story of young boy's compelling desire to read. As a boy of nine, Booker works in a salt mine from the dark of early morning to the gloom of night, hungry for a meal, but even hungrier to learn to read. Readers follow him on his quest in Malden, Virginia, where he finds inspiration in a man ``brown as me'' reading a newspaper on a street corner. An alphabet book helps, but Booker can't make the connection to words. Seeking out ``that brown face of hope'' once again, Booker gains a sense of the sounds represented by letters, and these become his deliverance. Bradby's fine first book is tautly written, with a poetic, spiritual quality in every line. The beautifully executed, luminous illustrations capture the atmosphere of an African-American community post-slavery: the drudgery of days consumed by back- breaking labor, the texture of private lives conducted by lantern- light. There is no other context or historical note about Booker T. Washington's life, leaving readers to piece together his identity. Regardless, this is an immensely satisfying, accomplished work, resonating first with longing and then with joy. (Picture book. 5- 8)
Pub Date: Sept. 1, 1995
ISBN: 0-531-09464-2
Page Count: 32
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1995
A gentle adventure that sets the stage for future quests.
A lonely prince gains a friend for a quest to find a missing jewel.
Prince Lucas of Wrenly has everything a boy could possibly want—except a friend. His father has forbidden him to play with the village children for reasons of propriety. Adventure-seeking Lucas acquires peasant clothes to masquerade as a commoner and make friends, but he is caught out. His mother, the queen, persuades the king to allow him one friend: Clara, the daughter of her personal dressmaker. When the queen’s prized emerald pendant goes missing, Lucas and Clara set off to find it. They follow the jewel as it changes hands, interviewing each temporary owner. Their adventure cleverly introduces the series’ world and peoples, taking the children to the fairy island of Primlox, the trolls’ home of Burth, the wizard island of Hobsgrove and finally Mermaid’s Cove. By befriending the mermaids, Lucas and Clara finally recover the jewel. In thanks, the king gives Clara a horse of her own so that she may ride with Lucas on their future adventures. The third-person narration is generally unobtrusive, allowing the characters to take center stage. The charming, medieval-flavored illustrations set the fairy-tale scene and take up enough page space that new and reluctant readers won’t be overwhelmed by text.
A gentle adventure that sets the stage for future quests. (Fantasy. 5-8)Pub Date: April 1, 2014
ISBN: 978-1-4424-9691-0
Page Count: 128
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Feb. 11, 2014
Kirkus Reviews Issue: March 1, 2014
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