Young readers will love the moment when Moe turns from snail to human child.
A sweet harangue against the failings of little siblings everywhere.
They are too slow; they are too messy; they take away too much attention from everyone, especially parents. As the protagonist lists little brother Moe’s failings, he appears as a giant snail placidly spooning Cheerios one by one into his mouth and leaving an impressive trail of slime and discarded items in his wake. However, when adults are not around, younger siblings can be fun. It is when the protagonist is alone with Moe that his joyful, exuberant, human-self emerges. Kid Moe runs fast, and his favorite game is tag. He also plays basketball and hopscotch, jumps rope, and climbs the monkey bars. The book is filled with wonderful details: Mom’s raised eyebrows, Dad’s striped socks and no shoes, and the protagonist’s fiercely crossed arms. Slow Moe the snail takes up at least a quarter of the couch, and the stairway carpet drips through the railings (or is that more slime?). Lent Roland, the French edition, publishes simultaneously, and Rachel Martinez’s translation offers some delights absent from the original, such as the title character’s contrast with his 11th-century literary forebear. In either language, the title character reminds readers that we are different people depending upon whom we are with and that familial relationships are complex and simple at the same time. Characters appear to be white.
Young readers will love the moment when Moe turns from snail to human child. (Picture book. 3-7)Pub Date: Sept. 15, 2020
ISBN: 978-1-4598-2352-5
Page Count: 32
Publisher: Orca
Review Posted Online: June 15, 2020
Kirkus Reviews Issue: July 1, 2020
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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