A haunting representation of a true American tragedy.
A dramatization of the people and events surrounding the 17th-century Salem witch trials, tied together with relevant nonfiction information.
Through scenes and conversations based on careful research, this graphic novel informs readers about lesser-known aspects of the infamous trials, which have become embedded in popular lore and imagination. The volume opens with a gallery of portraits of cast members, a helpful reference for readers navigating a story with many characters: “The Afflicted,” “The Accused” (and their family members), and “Witch Hunters and Men in Power.” Each of the book’s four sections opens with a few pages of text explaining the historical context. The illustrated panels that follow try to pull together a related narrative thread. There are so many people at play in the scenes, however—often not easily distinguishable from one another—that it can be difficult for readers to keep track of them. Duffy’s illustrations are often stunning and moving, showing haunting eyes peering through darkness, as well as depicting Gallows Hill, with five innocent bodies hanging from a tree as day turns to dusk and then becomes the dead of night. Noyes discusses the roles of racism, patriarchy, and economic turmoil, all of which set the stage for the witch hunt. Overall, this work provides fascinating insights for those already interested in this episode in history as well as those who know little about it.
A haunting representation of a true American tragedy. (author’s note, list of those executed, works consulted, further reading) (Graphic nonfiction. 12-18)Pub Date: June 4, 2024
ISBN: 9780759555587
Page Count: 256
Publisher: Little, Brown Ink
Review Posted Online: March 9, 2024
Kirkus Reviews Issue: April 1, 2024
Though not the most balanced, an enlightening look back for the queer future.
An adaptation for teens of the adult title A Queer History of the United States (2011).
Divided into thematic sections, the text filters LGBTQIA+ history through key figures in each era from the 1500s to the present. Alongside watershed moments like the 1969 Stonewall uprising and the HIV/AIDS crisis of the 1980s and 1990s, the text brings to light less well-known people, places, and events: the 1625 free love colony of Merrymount, transgender Civil War hero Albert D.J. Cashier, and the 1951 founding of the Mattachine Society, to name a few. Throughout, the author and adapter take care to use accurate pronouns and avoid imposing contemporary terminology onto historical figures. In some cases, they quote primary sources to speculate about same-sex relationships while also reminding readers of past cultural differences in expressing strong affection between friends. Black-and-white illustrations or photos augment each chapter. Though it lacks the teen appeal and personable, conversational style of Sarah Prager’s Queer, There, and Everywhere (2017), this textbook-level survey contains a surprising amount of depth. However, the mention of transgender movements and activism—in particular, contemporary issues—runs on the slim side. Whereas chapters are devoted to over 30 ethnically diverse gay, lesbian, bisexual, or queer figures, some trans pioneers such as Christine Jorgensen and Holly Woodlawn are reduced to short sidebars.
Though not the most balanced, an enlightening look back for the queer future. (glossary, photo credits, bibliography, index) (Nonfiction. 14-18)Pub Date: June 11, 2019
ISBN: 978-0-8070-5612-7
Page Count: 336
Publisher: Beacon Press
Review Posted Online: March 12, 2019
Kirkus Reviews Issue: April 15, 2019
BOOK REVIEW
Conversational, sometimes playful—not the sort of book that would survive vetting by school-system censors these days, but a...
A lovely, lively historical survey that takes in Neanderthals, Hohenzollerns and just about everything in between.
In 1935, Viennese publisher Walter Neurath approached Gombrich, who would go on to write the canonical, bestselling Story of Art, to translate a history textbook for young readers. Gombrich volunteered that he could do better than the authors, and Neurath accepted the challenge, provided that a completed manuscript was on his desk in six weeks. This book, available in English for the first time, is the happy result. Gombrich is an engaging narrator whose explanations are charming if sometimes vague. (Take the kid-friendly definition of truffles: “Truffles,” he says, “are a very rare and special sort of mushroom.” End of lesson.) Among the subjects covered are Julius Caesar (who, Gombrich exults, was able to dictate two letters simultaneously without getting confused), Charlemagne, the American Civil War, Karl Marx, the Paris Commune and Kaiser Wilhelm. As he does, he offers mostly gentle but pointed moralizing about the past, observing, for instance, that the Spanish conquest of Mexico required courage and cunning but was “so appalling, and so shaming to us Europeans that I would rather not say anything more about it,” and urging his young readers to consider that perhaps not all factory owners were as vile as Marx portrayed them to be, even though the good owners “against their conscience and their natural instincts, often found themselves treating their workers in the same way”—which is to say, badly.
Conversational, sometimes playful—not the sort of book that would survive vetting by school-system censors these days, but a fine conception and summarizing of the world’s checkered past for young and old.Pub Date: Oct. 11, 2005
ISBN: 0-300-10883-4
Page Count: 320
Publisher: Yale Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2005
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