by Deborah Noyes ‧ RELEASE DATE: June 11, 2013
An informative tale, but it lacks spark. (Ghost story. 14 & up)
May’s trip to Florence with family friends takes a frightening turn when she wakes in the middle of the night to find her ghostly twin standing at the foot of her bed.
Determined to forget her parents’ divorce and their request that she decide with whom to spend her senior year of high school, May travels with her childhood friend, Liam, and his travel-writer mother, Gwen. But her study of history becomes supernatural when her ethereal doppelganger appears, inviting her back in time. May becomes a ghostly version of herself as Cristofana leads her through a time portal into the middle of the Black Death. However, when Cristofana slips back into the future, May is left very human and very vulnerable in the past. Clever and dangerous, Cristofana lures May away from her life using Marco, a handsome artist. Historical details, opulent settings and awakening passions paint a rich landscape. The gritty reality of pre-Renaissance life comes alive set against the relative ease of modern times. Unfortunately, the setting is the star, overshadowing the characters. Noyes’ story lacks mystery and dread, becoming more a study of the Middle Ages than an evocative ghost story.
An informative tale, but it lacks spark. (Ghost story. 14 & up)Pub Date: June 11, 2013
ISBN: 978-0-7636-5980-6
Page Count: 320
Publisher: Candlewick
Review Posted Online: April 2, 2013
Kirkus Reviews Issue: May 1, 2013
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by Deborah Noyes ; illustrated by M. Duffy
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by Laura Nowlin ‧ RELEASE DATE: April 1, 2013
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
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SEEN & HEARD
by Kerri Maniscalco ‧ RELEASE DATE: Sept. 20, 2016
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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