by Deborah Underwood ; illustrated by Joy Hwang Ruiz ‧ RELEASE DATE: Aug. 4, 2020
This message of friendship, though oft told, bears repeating, especially for the youngest readers.
An allegory about accepting one another, one letter at a time.
In a land where high walls separate each of the 26 letters (seen in the endpapers), life is rather monotonous. The H’s live only with other H’s and therefore speak just one letter: H. The same is true for the rest of the alphabet, all walled off and safe from one another. Then an intrepid lowercase h discovers a hole in the wall, reaches through, and discovers…a lowercase i! Ecstatic, they greet each other, but their happiness is cut short when the capital letters discover and forbid their friendship. Disheartened, the two friends send letters (in the form of paper airplanes) that soar over many walls, unexpectedly offering new opportunities to x’s, b’s, y’s, and more. Once again the capital letters try to interfere, but the lowercase letters have discovered that the most important words of all—“courage,” “kindness,” “trust”—are made up of many letters and can break down walls. Expressive, anthropomorphic letters, set in a bright, pastel palette, lend the book a cartoon look and feel that keeps the story lighthearted. Spreads alternate between vignettes and full-page illustrations to keep readers engaged. Even pre-readers will recognize letters set in bold, big shapes, enabling caregivers to incorporate early-literacy lessons into the read-aloud experience.
This message of friendship, though oft told, bears repeating, especially for the youngest readers. (Picture book. 3-5)Pub Date: Aug. 4, 2020
ISBN: 978-0-525-55402-8
Page Count: 40
Publisher: Dial Books
Review Posted Online: May 2, 2020
Kirkus Reviews Issue: May 15, 2020
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by Tom Percival ; illustrated by Tom Percival ‧ RELEASE DATE: May 1, 2018
A heartwarming story about facing fears and acceptance.
A boy with wings learns to be himself and inspires others like him to soar, too.
Norman, a “perfectly normal” boy, never dreamed he might grow wings. Afraid of what his parents might say, he hides his new wings under a big, stuffy coat. Although the coat hides his wings from the world, Norman no longer finds joy in bathtime, playing at the park, swimming, or birthday parties. With the gentle encouragement of his parents, who see his sadness, Norman finds the courage to come out of hiding and soar. Percival (The Magic Looking Glass, 2017, etc.) depicts Norman with light skin and dark hair. Black-and-white illustrations show his father with dark skin and hair and his mother as white. The contrast of black-and-white illustrations with splashes of bright color complements the story’s theme. While Norman tries to be “normal,” the world and people around him look black and gray, but his coat stands out in yellow. Birds pop from the page in pink, green, and blue, emphasizing the joy and beauty of flying free. The final spread, full of bright color and multiracial children in flight, sets the mood for Norman’s realization on the last page that there is “no such thing as perfectly normal,” but he can be “perfectly Norman.”
A heartwarming story about facing fears and acceptance. (Picture book. 3-5)Pub Date: May 1, 2018
ISBN: 978-1-68119-785-2
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: March 15, 2018
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by Tom Percival ; illustrated by Tom Percival
by Tom Percival ; illustrated by Tom Percival
by Tom Percival ; illustrated by Tom Percival
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Feb. 7, 2023
Let these crayons go back into their box.
The Crayons return to celebrate Easter.
Six crayons (Red, Orange, Yellow, Esteban, who is green and wears a yellow cape, White, and Blue) each take a shape and scribble designs on it. Purple, perplexed and almost angry, keeps asking why no one is creating an egg, but the six friends have a great idea. They take the circle decorated with red shapes, the square adorned with orange squiggles “the color of the sun,” the triangle with yellow designs, also “the color of the sun” (a bit repetitious), a rectangle with green wavy lines, a white star, about which Purple remarks: “DID you even color it?” and a rhombus covered with blue markings and slap the shapes onto a big, light-brown egg. Then the conversation turns to hiding the large object in plain sight. The joke doesn’t really work, the shapes are not clear enough for a concept book, and though colors are delineated, it’s not a very original color book. There’s a bit of clever repartee. When Purple observe that Esteban’s green rectangle isn’t an egg, Esteban responds, “No, but MY GOSH LOOK how magnificent it is!” Still, that won’t save this lackluster book, which barely scratches the surface of Easter, whether secular or religious. The multimedia illustrations, done in the same style as the other series entries, are always fun, but perhaps it’s time to retire these anthropomorphic coloring implements. (This book was reviewed digitally.)
Let these crayons go back into their box. (Picture book. 3-5)Pub Date: Feb. 7, 2023
ISBN: 978-0-593-62105-9
Page Count: 32
Publisher: Philomel
Review Posted Online: Oct. 11, 2022
Kirkus Reviews Issue: Nov. 1, 2022
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SEEN & HEARD
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