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SUPER SAURUS AND THE EGG

Super Saurus’ imagination once again conquers a challenging situation.

Having saved kindergarten (2017), Super Saurus tackles his next issue: his parents’ unhatched egg.

This kid’s imagination knows no bounds, so when faced with the uncertainty of a brother or a sister, he does the only thing he can: declare “Super Saurus works alone” and imagine that it’s the “EGG OF DOOM.” He’ll be ready no matter what hatches. His “Super Sun” will shrivel a “vampire-saurus,” his “Robot Ruster” will stop a “planet-crushing robot,” and Maud the Marauder will vamoose at the first sound from his “Bagpipe Blaster.” Super Saurus has to keep the egg close in order to immediately overpower whatever hatches, and despite his words to the contrary, his parents think it’s sweet how taken he is with the idea of being a big brother. When the inevitable happens, Super Saurus truly does vanquish the tot that hatches, but his little sister does some vanquishing of her own…and becomes a great sidekick: Super Goo. Young’s acrylic illustrations play up the dichotomy between Super Saurus’ fancies and, with the turn of a page, reality: Toys, a fish net, a flashlight, and bubbles are the common items that turn into his superhero tools (and that readers are likely to have as well). These dinos are sauropods, the parents with long necks. Super Saurus has blue hair like his dad’s, and Goo, blonde, like her mother’s.

Super Saurus’ imagination once again conquers a challenging situation. (Picture book. 4-8)

Pub Date: May 22, 2018

ISBN: 978-1-4231-7569-8

Page Count: 40

Publisher: Disney-Hyperion

Review Posted Online: March 17, 2018

Kirkus Reviews Issue: April 1, 2018

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A THOUSAND YEARS

A sweet notion that falls flat.

A hit song reimagined as a book about parental love.

Featured in The Twilight Saga: Breaking Dawn—Part 1, Perri’s “A Thousand Years” deals with the speaker’s fear of romantic love. In picture-book form, it explores a parent’s unwavering love for a child, who grows from an infant into a toddler over the course of the narrative. The caregiver expresses awe when the youngster learns to stand and fear that the child might fall while beginning to walk. “I have spent every day waiting for you,” the parent says. “Darling, don’t be afraid.” What the child might fear isn’t clear from the joyful balloon- and rainbow-filled illustrations. The story borders on cloying, and words that might work when sung and accompanied by music don’t sound fresh on the page: “Time goes by. / You grow ever stronger as you fly.” The refrain, however, is a lovely sentiment: “I have loved you for a thousand years. / I’ll love you for a thousand more.” Perri’s legion of fans may flock to this version, illustrated by Ruiz with sparkling stars, bubbles, and big-eyed toddlers, but it doesn’t hold together as a narrative or an ode, as it’s billed, and it’s a long way from the original song. The child is tan-skinned, the parent is lighter-skinned, and other characters are diverse.

A sweet notion that falls flat. (Picture book. 4-7)

Pub Date: April 1, 2025

ISBN: 9780593622599

Page Count: 32

Publisher: Viking

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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