Super Saurus’ imagination once again conquers a challenging situation.
Having saved kindergarten (2017), Super Saurus tackles his next issue: his parents’ unhatched egg.
This kid’s imagination knows no bounds, so when faced with the uncertainty of a brother or a sister, he does the only thing he can: declare “Super Saurus works alone” and imagine that it’s the “EGG OF DOOM.” He’ll be ready no matter what hatches. His “Super Sun” will shrivel a “vampire-saurus,” his “Robot Ruster” will stop a “planet-crushing robot,” and Maud the Marauder will vamoose at the first sound from his “Bagpipe Blaster.” Super Saurus has to keep the egg close in order to immediately overpower whatever hatches, and despite his words to the contrary, his parents think it’s sweet how taken he is with the idea of being a big brother. When the inevitable happens, Super Saurus truly does vanquish the tot that hatches, but his little sister does some vanquishing of her own…and becomes a great sidekick: Super Goo. Young’s acrylic illustrations play up the dichotomy between Super Saurus’ fancies and, with the turn of a page, reality: Toys, a fish net, a flashlight, and bubbles are the common items that turn into his superhero tools (and that readers are likely to have as well). These dinos are sauropods, the parents with long necks. Super Saurus has blue hair like his dad’s, and Goo, blonde, like her mother’s.
Super Saurus’ imagination once again conquers a challenging situation. (Picture book. 4-8)Pub Date: May 22, 2018
ISBN: 978-1-4231-7569-8
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: March 17, 2018
Kirkus Reviews Issue: April 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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