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EACH LITTLE BIRD THAT SINGS

From the Aurora County series

Unique characters, inventive names (Comfort’s best friend Declaration, who betrays their friendship), a fresh voice and an...

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Comfort Snowberger has attended 247 funerals, not because she’s morose but because the Snowberger Funeral Home in Snapfinger, Mississippi, is where she lives with her family. 

In fact, the dead center of the story, so to speak, is the funeral home. When Uncle Edisto dies and then 90-year-old, great-great-Aunt Florentine, Comfort learns that “it’s not how you die that makes the important impression, it’s how you live.” A difficult belief to accept when tragedy strikes Comfort, her dog, Dismay, and her eight-year-old sniveling cousin, Peach, all caught in a flash flood on the way to Florentine’s graveside service. As Comfort clutches Peach to keep him from going under, Dismay is swept away. Despite the setting and plot, the story is not morbid but is an original celebration of life. 

Unique characters, inventive names (Comfort’s best friend Declaration, who betrays their friendship), a fresh voice and an honest portrayal of life and death are a match made in heaven—and despite the bland title, a memorable tribute to the joys of living. (Fiction. 8-12)

Pub Date: March 1, 2005

ISBN: 0-15-205113-9

Page Count: 264

Publisher: Gulliver/Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2005

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CHARLOTTE'S WEB

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...

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A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.

Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.

Pub Date: Oct. 15, 1952

ISBN: 978-0-06-026385-0

Page Count: 192

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 14, 2011

Kirkus Reviews Issue: Oct. 1, 1952

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GHOSTS

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...

Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.

Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)

Pub Date: Sept. 13, 2016

ISBN: 978-0-545-54061-2

Page Count: 256

Publisher: Scholastic

Review Posted Online: July 1, 2016

Kirkus Reviews Issue: July 15, 2016

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