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WHEN THE CENTURY WAS YOUNG

A WRITER'S NOTEBOOK

Less a memoir than a handful of experiences shaped into short vignettes. Western novelist and historian Brown (Conspiracy of Knaves, 1987; Bury My Heart at Wounded Knee, 1971, etc.) turns to his own colorful past for material in this engaging account. From his small-town Louisiana and Arkansas origins to his lengthy career as an agricultural librarian at the University of Illinois, Brown has seen most of the 20th century, his memories reflecting to a considerable degree the vast changes wrought in America during this time. Working at the age of 12 as an occasional letter-carrier for the Post Office, Brown witnessed the oil boom in southern Arkansas before moving into the heart of the Ozarks for his first newspaper job. A degree in library science from George Washington University offered few employment prospects during the Depression, so, with the onset of WW II, the author found himself a soldier, albeit one in privileged circumstances as a participant in the Army's Specialized Training Program. Forgotten, along with his unit, for a year while he studied at the University of Pennsylvania, Brown eventually served as a librarian near Washington, until the military's combination of cold war hysteria and hypocrisy prompted him to return to civilian life. At the University of Illinois, Brown befriended a personable Pakistani who wanted to use an American education to rise above his caste back home, and, on another occasion, the author found himself in a comic situation at the Missouri Botanic Gardens; throughout his narrative, self-effacement triumphs (reference to his bestsellers and other books is limited to a four-page epilogue). Fragments of a life that are told easily and with charm; as a whole, however, the narrative is much less than the sum of its parts. (Twenty-three b&w photographs)

Pub Date: Sept. 20, 1993

ISBN: 0-87483-267-5

Page Count: 224

Publisher: August House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1993

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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