WHY WE DANCE

A Native child takes part in the Jingle Dress dance.

Preparing for a powwow is a family affair: Regalia is mended, hair is braided, and bannock sandwiches are packed for lunch in anticipation of breaking the fast. In this spirited ode to Jingle Dress dancing, Havrelock (Saddle Lake Cree Nation) follows one girl’s journey as she takes part in this Anishinaabe ceremonial dance with her community. Evocative watercolors by McKnight (Shoshone-Bannock) bring these healing, ceremonial garments to life, from their rainbow of colors to the tin cones that produce the iconic “TINK-TINK-TINK-TINK” sounds of the dance. Helpful backmatter notes that though there are many stories about the origins of the Jingle Dress dance, all of them describe it as a response to the influenza pandemic of 1918-19 that “resulted in the healing of a sick child.” Indeed, the young narrator states that “we dance for those who can’t.” With its moving illustrations, this reverent celebration of an important Indigenous ritual stands out. Young readers will be drawn in by the mesmerizing art and the narrator’s courage to dance despite all “the butterflies in my stomach.” Several performers and spectators have visible disabilities.

A powerful story that will have hearts beating in time with the pounding drums and dancers’ bounce-steps.