A rare, welcome look at the art and craft of biography.
A biographer recalls the challenges of writing her first books.
Bair (Al Capone: His Life, Legacy, and Legend, 2016, etc.), who won a National Book Award for her first biography, of Samuel Beckett, and critical acclaim for her biography of Simone de Beauvoir, has been asked, time and again, “what were they really like?” In a candid and engrossing memoir, Bair creates unvarnished portraits of those two headstrong, demanding, and brilliant individuals as well as of her growth as a researcher, writer, and feminist. The author had just completed her doctoral dissertation on Beckett when she asked for his cooperation in writing his biography. He replied immediately, agreeing to meet her in Paris. “I will neither help nor hinder you,” he told her. “My friends and family will assist you and my enemies will find you soon enough.” During many years of research, she discovered the truth of his remark, as she interviewed scores of his friends, relatives, hangers-on, and vociferous enemies, all of whom she renders in lively detail. Although Beckett did not overtly interfere, he kept tabs on her research, often making her feel “like a marionette whose strings he was pulling.” After her book was published, she found that she had made her own enemies among critics and scholars she calls Becketteers, who reviewed her book with “unrelenting hostility.” Suffering “a minor breakdown,” Bair thought the biography would be her last. When an admiring editor encouraged her to think of a new subject, however, de Beauvoir quickly came to mind. She was, Bair thought, “the only modern woman who had made a success of everything,” an achievement that astonished Bair, who was juggling the responsibilities of a wife, mother, writer, and professor. She often considered the aging de Beauvoir to be “lumpy, dumpy, frumpy, and grumpy”; although agreeing to cooperate, she was reluctant to discuss sensitive issues, notably regarding sexuality. Besides offering privileged views of her celebrated subjects, Bair reveals herself struggling with structure and style and negotiating a world of publishing and academia not welcoming to women.
A rare, welcome look at the art and craft of biography.Pub Date: Nov. 12, 2019
ISBN: 978-0-385-54245-6
Page Count: 368
Publisher: Nan A. Talese
Review Posted Online: Aug. 25, 2019
Kirkus Reviews Issue: Sept. 15, 2019
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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