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I'M WRITING YOU FROM TEHRAN

A GRANDDAUGHTER'S SEARCH FOR HER FAMILY'S PAST AND THEIR COUNTRY'S FUTURE

A uniquely rendered chronicle of one woman's personal and professional journey from faith to activism.

This poignant memoir by a French Iranian journalist in the form of a letter to her deceased grandfather recounts a deeply felt 10-year journey to immerse herself in what it means to be Iranian.

A year after her grandfather’s death in 1997, just when the reformist Mohammad Khatami had been elected to great hope and fanfare, Le Figaro Middle East correspondent Minoui (co-author: I Am Nujood, Age 10 and Divorced, 2010), who was born in Paris to a French mother and Iranian father, landed in Tehran, hoping to learn more about her heritage. For the next 10 years, she stayed on and off with her surviving grandmother and traveled around the country, interviewing people of different classes and political beliefs and learning about the violent vagaries of Iranian politics. At first, with the election of Khatami, the hope among citizens under age 25 was palpable; after enduring decades of Islamic oppression after the 1979 Iranian Revolution, the people’s mood was wildly optimistic and confident. In spite of the widespread influence of the “morality police,” the youth daringly held mixed, alcohol-fueled parties behind closed doors, openly protested, and supported a vibrant “reformist press.” Yet soon enough, Minoui became aware of the dark underside of Iranian society and institutions that would soon turn ugly and menacing—e.g., the appearance of intelligence agents who tracked her movements and interrogated her threateningly and the prowling of radical rightist militiamen, one of whom Minoui befriended to figure out how they think. Ultimately, as the author writes in one of many moments of pointed insight, “to research your country’s history was to uncover your own story, too,” and she learned intimately of her grandfather’s tangled past. With the election of Mahmoud Ahmadinejad, “a veritable machine to crush modern Iran had been set in motion,” and she left the country in 2009.

A uniquely rendered chronicle of one woman's personal and professional journey from faith to activism.

Pub Date: April 2, 2019

ISBN: 978-0-374-17522-1

Page Count: 320

Publisher: Farrar, Straus and Giroux

Review Posted Online: Jan. 13, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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