Demi wields her gifts to celebrate Florence Nightingale, who transformed the care of the sick and injured.
Florence Nightingale was born to wealthy English parents in Florence, Italy, and from an early age studied nursing and the care of the sick. As her family traveled from England to Italy, France and Germany, she visited hospitals and poorhouses to teach herself and to compare healing strategies. She went to Turkey to assist injured soldiers from the Crimean War, working to ensure sanitary conditions and to make healthful food and medicines available. The text is direct and clear, conveying complex information fluidly. Demi’s pictures feature her exquisite line and magnificent use of color, manipulating the flat, decorative space she uses to advance the story. She makes beautiful decorative patterns out of difficult and sometimes horrific situations. Nurses cleaning, scrubbing, comforting and assisting are directed by Nightingale, always pictured in a midnight-blue dress or cloak. One astonishing, gutsy double-page spread depicts the war hospital in Turkey. Leaking walls, rats, garbage and overflowing chamber pots among the stricken soldiers make a formal backdrop to officials rebuffing Nightingale and her nurses. With the turn of the page, readers see the changes in cleanliness, care and mood Nightingale effected. Characteristically beautiful illustrations nevertheless provide a pull-no-punches appreciation of the Lady with the Lamp. (timeline, further reading) (Picture book/biography. 7-11)
Pub Date: Feb. 4, 2014
ISBN: 978-0-8050-9729-0
Page Count: 40
Publisher: Henry Holt
Review Posted Online: Nov. 19, 2013
Kirkus Reviews Issue: Dec. 15, 2013
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean.
A 12-year-old copes with a brain tumor.
Maddie likes potatoes and fake mustaches. Kids at school are nice (except one whom readers will see instantly is a bully); soon they’ll get to perform Shakespeare scenes in a unit they’ve all been looking forward to. But recent dysfunctions in Maddie’s arm and leg mean, stunningly, that she has a brain tumor. She has two surgeries, the first successful, the second taking place after the book’s end, leaving readers hanging. The tumor’s not malignant, but it—or the surgeries—could cause sight loss, personality change, or death. The descriptions of surgery aren’t for the faint of heart. The authors—parents of a real-life Maddie who really had a brain tumor—imbue fictional Maddie’s first-person narration with quirky turns of phrase (“For the love of potatoes!”) and whimsy (she imagines her medical battles as epic fantasy fights and pretends MRI stands for Mustard Rat from Indiana or Mustaches Rock Importantly), but they also portray her as a model sick kid. She’s frightened but never acts out, snaps, or resists. Her most frequent commentary about the tumor, having her skull opened, and the possibility of death is “Boo” or “Super boo.” She even shoulders the bully’s redemption. Maddie and most characters are white; one cringe-inducing hallucinatory surgery dream involves “chanting island natives” and a “witch doctor lady.”
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean. (authors’ note, discussion questions) (Fiction. 9-11)Pub Date: Oct. 3, 2017
ISBN: 978-1-62972-330-3
Page Count: 256
Publisher: Shadow Mountain
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
An emotional entry point to a larger, necessary discussion on this complex and difficult subject.
The paths of four migrant children from different Central American countries cross as they enter Mexico, and together they continue their journey to the United States.
Though their reasons for undertaking the perilous journey are different, their hopes are not: They all hope for asylum in the U.S. Ten-year-old Alessandra, from Guatemala, hopes to reunite with her mother, who left four years ago. Thirteen-year-old Laura and her 7-year-old brother, Nando, from El Salvador, are going to live with relatives in the U.S. And 14-year-old Rodrigo, from Honduras, will try to join his parents in Nebraska rather than join a local gang. Along the way they encounter danger, hunger, kindness from strangers, and, most importantly, the strength of friendship with one another. Through the four children, the book provides but the barest glimpse into the reasons, hopes, and dreams of the thousands of unaccompanied minors that arrive at the U.S.–Mexico border every year. Artist Guevara has added Central American folk art–influenced details to her illustrations, giving depth to the artwork. These embellishments appear as line drawings superimposed on the watercolor scenes. The backmatter explains the reasons for the book, helping to place it within the larger context of ongoing projects at Baylor University related to the migration crisis in Central America.
An emotional entry point to a larger, necessary discussion on this complex and difficult subject. (Picture book. 7-10)Pub Date: July 7, 2020
ISBN: 978-1-64442-008-9
Page Count: 40
Publisher: Six Foot Press
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
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