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CONFIDENCE

Even for true-crime podcasters, the truth is tough to find in this brisk, entertaining thriller.

A missing woman and a rediscovered religious artifact drive a fast-paced chase by two podcasters and a possible con man.

When Anna McDonald and Fin Cohen leave Glasgow for a family weekend at a rental house, she expects minor disasters. She and Fin are work partners in a popular true-crime podcast, but their domestic situation is intertwined as well—her ex and his ex are now a couple, and all of them are co-parenting Anna’s two young daughters. They all get along, but a new addition to the mix is Sofia, Fin’s young, pretty, poison-tongued girlfriend. So Anna is glad to be distracted by news of the disappearance of a young woman named Lisa Lee—a story that’s a prime candidate for their podcast. Lisa is part of an online community centered on urban exploring, UrbEx for short—people who break into abandoned properties and livestream what’s inside. Lisa vanished from her home near Glasgow shortly after she aired a visit to a creepy French chateau full of religious artifacts. And now one of those artifacts, a sealed silver box, is making news. It’s about to be sold at a Paris auction house, and there are rising rumors that it’s a long-missing object called the Voyniche Casket, said to contain a mysterious proof of the resurrection of Christ. The seller is anonymous; the question for Anna and Fin is what its sale has to do with Lisa’s disappearance. Then Fin gets a text from someone named Bram van Wyk wanting to know if they can help him contact Lisa. As the pair piece together Lisa’s background and the history of the Voyniche Casket, they also research Bram and find that he’s a well-known South African antiques dealer with his own sketchy past. When Anna and Fin flee their family holiday for work-related reasons back in Glasgow, Bram, rather alarmingly, shows up at Anna’s house, offering to help find Lisa. He has his surly 12-year-old son, Marcos, in tow. Bram charms them into coming to Paris for the auction with him (he has a private plane), kicking off a mad dash around Europe. It’s clear he’s a con man, but how much so? Are Anna and Fin unwilling players in an elaborate ruse, or are their lives in danger? Mina keeps the plot charging at a breathless pace, and Anna is an engagingly tart narrator.

Even for true-crime podcasters, the truth is tough to find in this brisk, entertaining thriller.

Pub Date: July 5, 2022

ISBN: 978-0-316-24272-1

Page Count: 336

Publisher: Mulholland Books/Little, Brown

Review Posted Online: May 24, 2022

Kirkus Reviews Issue: June 15, 2022

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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HOW TO SOLVE YOUR OWN MURDER

Breezy, entertaining characters and a cheeky premise fall prey to too much explanation and an unlikely climax.

An aspiring mystery writer sets out to solve her great-aunt’s murder and inherit an estate.

Twenty-five-year-old Annie Adams has never met her great-aunt Frances, who prefers her small village to busy London. But when a mysterious letter arrives instructing Annie to come to Castle Knoll in Dorset to meet Frances and discuss her role as sole beneficiary of her great-aunt’s estate, Annie can’t resist. Unfortunately, she arrives to find Frances’ worst fears have come true: The elderly woman—who’s been haunted for decades by a fortuneteller’s prediction that this will happen—has been murdered, and her will dictates that she will leave her entire estate to Annie, but only if Annie solves her killing. It’s a cheeky if not exactly believable premise, especially since the local police don’t seem terribly opposed to it. Annie herself is an engaging presence, if a little too blind to the fact that she could be on the killer’s to-do list. Her roll call of suspects is pleasingly long, including but not limited to the local vicar, a one-time paramour of her great-aunt’s; a gardener who grows a lot more than flowers; shady developers and suspicious friends from Frances’ past; and Saxon, Annie’s crafty rival, who inherits the estate himself if he manages to solve the case first. Annie pieces together clues through readings of Frances’ journal, but the story eventually runs aground on the twin rocks of too much explanation and a flimsy climax. Cute dialogue gives way to lengthy exposition, and by the time Frances’ killer is revealed you may well be ready to leave Annie, Dorset, and Castle Knoll behind for the firmer ground of reality. Fans of cozy mysteries are likely to be more forgiving, but if you cast a skeptical eye toward amateur sleuths, this novel won’t change your mind about them.

Breezy, entertaining characters and a cheeky premise fall prey to too much explanation and an unlikely climax.

Pub Date: March 26, 2024

ISBN: 9780593474013

Page Count: 368

Publisher: Dutton

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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