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THE DEAD HOUR

Mina meticulously creates a bleak, Dostoevskian world abandoned by light and spirit, populating it with sharply drawn...

The author of Field of Blood (2005) sends her dogged Glaswegian reporter-investigator trudging through a second case.

Is there a fleck of hope in the grime and despair of 1980s Glasgow? Not for Paddy Meehan. Nudged up from copygirl to night crime reporter at the Scottish Daily News, Meehan joins two policemen as they check out a report of domestic violence in one of the city’s few tony neighborhoods. Though a blood-spattered blonde woman stands in the background, a handsome man assures Paddy the situation has calmed and presses a 50-pound note into her needy hand, an act the attendant policemen may have spotted. The next morning, Paddy learns the blonde has been found dead, her teeth extracted, the back of her head smashed. A few days later, police fish a suicide from the river and proclaim him the killer. A look at the corpse convinces Paddy that this was not the handsome man she interviewed, the man she’s certain was the killer. Who was he? And where is he now? Fearing for their jobs in the face of cutbacks and a ruthless editor, her fellow reporters offer Paddy little help tracking the suspect. She’s hobbled as well by the possibility that someone will learn she took a bribe. She comes clean with the police but isn’t sure she has their trust; they may be pulling punches in pursuing the case. When someone firebombs a car in which she’d been riding, it seems her own life is at risk. Hope eventually “skirls,” as Paddy would say, but only briefly, as a personal crisis dovetails with the resolution of the case.

Mina meticulously creates a bleak, Dostoevskian world abandoned by light and spirit, populating it with sharply drawn characters.

Pub Date: July 10, 2006

ISBN: 0-316-73594-9

Page Count: 352

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2006

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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THE LIFE WE BURY

Eskens’ debut is a solid and thoughtful tale of a young man used to taking on burdens beyond his years—none more dangerous...

A struggling student’s English assignment turns into a mission to solve a 30-year-old murder.

Joe Talbert has had very few breaks in his 21 years. The son of a single and very alcoholic mother, he’s worked hard to save enough money to leave his home in Austin, Minnesota, for the University of Minnesota. Although he has to leave his autistic younger brother, Jeremy Naylor, to the dubious care of their mother, Joe is determined to beat the odds and get his degree. For an assignment in his English class, he decides to interview Carl Iverson, a man convicted of raping and killing a 14-year-old girl. Carl, who maintains his innocence, is dying of cancer and has been released to a nursing home to end his life in lonely but unrepentant pain. The more Joe learns about Carl—a Vietnam vet with two Purple Hearts and a Silver Cross—the more the young man questions the conviction. Joe’s plan to write a short biography and earn an easy A turns into something more. Even after his mother is arrested for drunk driving and guilt-trips Joe into ransacking his college fund to bail her out, he soldiers on with the project, though her irresponsibility forces him to take Jeremy into his care. But it’s his younger brother who cracks the code of the long-dead murder victim’s secret diary and an attractive neighbor, Lila Nash, who has her own agenda for helping Joe solve the mystery, whatever the risk. 

Eskens’ debut is a solid and thoughtful tale of a young man used to taking on burdens beyond his years—none more dangerous than championing a bitter old man convicted of a horrific crime.

Pub Date: Oct. 14, 2014

ISBN: 978-1-61614-998-7

Page Count: 300

Publisher: Seventh Street Books

Review Posted Online: Oct. 8, 2014

Kirkus Reviews Issue: Oct. 15, 2014

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