An adequate introduction to a remarkable 20th-century author.
Zora Neale Hurston and her times come alive in this introduction for young readers.
Living in the all-black town of Eatonville, Fla., Zora Neale Hurston never had to face the racism of her times. She grew up proud and confident, believing “the moon followed her wherever she went.” Early on, she cultivated the dream of becoming a famous writer, and though she faced many obstacles along the way, she succeeded with Their Eyes Were Watching God, which has sold over five million copies and is now a fixture of high school and college curricula. The volume is nicely designed, and the many photographs (captions not seen) make it feel like a Hurston scrapbook, though there are too many pages of dense text unbroken by images. Somehow, though, Hurston’s odyssey—through the Harlem Renaissance and the Prohibition era, as well as through the South collecting stories from former slaves, lumber workers near the Everglades and voodoo practitioners in New Orleans—comes off as dry and not especially interesting. Audience is an issue, too, since the volume is aimed at young readers who won’t have heard of Hurston and won’t find books by her for their age group. A work aimed at an older teen audience might have better hit the mark.
An adequate introduction to a remarkable 20th-century author. (two folktales, timeline, source notes, bibliography, index) (Biography. 9-12)Pub Date: Aug. 7, 2012
ISBN: 078-0-547-00695-6
Page Count: 192
Publisher: Clarion Books
Review Posted Online: May 15, 2012
Kirkus Reviews Issue: June 1, 2012
Though usually cast as the trickster, Coyote is more victim than victimizer, making this a nice complement to other Coyote...
Two republished tales by a Greco-Cherokee author feature both folkloric and modern elements as well as new illustrations.
One of the two has never been offered south of the (Canadian) border. In “Coyote Sings to the Moon,” the doo-wop hymn sung nightly by Old Woman and all the animals except tone-deaf Coyote isn’t enough to keep Moon from hiding out at the bottom of the lake—until she is finally driven forth by Coyote’s awful wailing. She has been trying to return to the lake ever since, but that piercing howl keeps her in the sky. In “Coyote’s New Suit” he is schooled in trickery by Raven, who convinces him to steal the pelts of all the other animals while they’re bathing, sends the bare animals to take clothes from the humans’ clothesline, and then sets the stage for a ruckus by suggesting that Coyote could make space in his overcrowded closet by having a yard sale. No violence ensues, but from then to now humans and animals have not spoken to one another. In Eggenschwiler’s monochrome scenes Coyote and the rest stand on hind legs and (when stripped bare) sport human limbs. Old Woman might be Native American; the only other completely human figure is a pale-skinned girl.
Though usually cast as the trickster, Coyote is more victim than victimizer, making this a nice complement to other Coyote tales. (Fiction. 9-11)Pub Date: Oct. 3, 2017
ISBN: 978-1-55498-833-4
Page Count: 56
Publisher: Groundwood
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
In a large, handsome format, Tarnowska offers six tales plus an abbreviated version of the frame story, retold in formal but contemporary language and sandwiched between a note on the Nights’ place in her childhood in Lebanon and a page of glossary and source notes. Rather than preserve the traditional embedded structure and cliffhanger cutoffs, she keeps each story discrete and tones down the sex and violence. This structure begs the question of why Shahriyar lets Shahrazade [sic] live if she tells each evening’s tale complete, but it serves to simplify the reading for those who want just one tale at a time. Only the opener, “Aladdin and the Wonderful Lamp,” is likely to be familiar to young readers; in others a prince learns to control a flying “Ebony Horse” by “twiddling” its ears, contending djinn argue whether “Prince Kamar el Zaman [or] Princess Boudour” is the more beautiful (the prince wins) and in a Cinderella tale a “Diamond Anklet” subs for the glass slipper. Hénaff’s stylized scenes of domed cityscapes and turbaned figures add properly whimsical visual notes to this short but animated gathering. (Folktales. 10-12)
Pub Date: Dec. 1, 2010
ISBN: 978-1-84686-122-2
Page Count: 128
Publisher: Barefoot Books
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Nov. 15, 2010
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