A concise, Dylan-heavy history of the American relationship between race and music.
A combination of cultural history of American popular music and race relations and a fan’s notes on Bob Dylan, whose story consumes the final 100 pages.
The author, who has published previously about the Beats (Desolate Angel: Jack Kerouac, the Beat Generation, and America, 1979) and about the Grateful Dead (A Long Strange Trip: The Inside History of the Grateful Dead, 2002), offers an extensive analysis of and tribute to the popular music that grew along Route 61, from New Orleans to Wyoming, Minnesota, paralleling for much of its length the course of the Mississippi River. McNally begins with Thoreau and abolitionism and then segues to Mark Twain and The Adventures of Huckleberry Finn (the author joins the debate about that novel’s controversial final chapters) before beginning his story about the founding fathers and mothers of our popular music. Readers will recognize many of the artists he discusses. Scott Joplin, W.C. Handy, Louis Armstrong, Bessie Smith, Benny Goodman, Lead Belly, Duke Ellington, Robert Johnson, Woody Guthrie, Dizzy Gillespie, Elvis Presley, John Coltrane, Charlie Parker—these and numerous others form the first three-quarters of McNally’s story. Lesser-known names and narratives are here, as well (Charlie Patton and Buddy Bolden among them). The author also offers a summary of key events in American racial history: the era of lynching, the Freedom Riders, the rise of Martin Luther King Jr., Selma and much more. He notes the transitions from blues to jazz to folk to rock and the emotions each emergence occasioned (he mentions that Pete Seeger wept when Dylan went electric at Newport in 1965). In 1965, Dylan released his album “Highway 61 Revisited,” and McNally’s praise for Dylan is unrelenting—and a tad disproportionate.
A concise, Dylan-heavy history of the American relationship between race and music.Pub Date: Oct. 14, 2014
ISBN: 978-1-61902-449-6
Page Count: 384
Publisher: Counterpoint
Review Posted Online: July 29, 2014
Kirkus Reviews Issue: Aug. 15, 2014
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
