by Denys Cazet & illustrated by Denys Cazet ‧ RELEASE DATE: March 1, 1997
Cazet is still working the night shift he began in Mother Night (1988), and continued in ``I'm Not Sleepy'' (1992) and Dancing (1995). This time it's verse, and most of it zany—a nice change from similar collections, which tend toward the lyrical. There's the child who insists he's ``Not Afraid of the Dark'' but only needs that searchlight by the bed to read—and, coincidentally, to keep scary creatures (and his sister) at bay; the child who gives ``Good-night Kisses'' to everyone and everything in the house—and then begins all over again with hugs; the child who is afraid of the ravenous Murphy bed at his grandparents' house; and the siblings who take turns putting horrible things in each other's beds. There's the wolf who learns to count sheep—in his favorite recipes; the cat who hears the siren song of the night and rouses his mistress by crying, ``Me out''; and Gertrude Holstein, who dreams of being an Olympic pole vaulter and jumping over the moon. Bracketing this wild and crazy stuff are a few serious poems, e.g., the title poem, about the security of the presence of a loving parent. Pencil and watercolor illustrations—sometimes soft, sometimes more pointed and full of comic visual asides—are exactly right for the various moods. (Picture book/poetry. 7-11)
Pub Date: March 1, 1997
ISBN: 0-531-30010-2
Page Count: 32
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1997
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by Julia Alvarez ‧ RELEASE DATE: March 1, 2001
Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay.
Renowned Latin American writer Alvarez has created another story about cultural identity, but this time the primary character is 11-year-old Miguel Guzmán.
When Tía Lola arrives to help the family, Miguel and his hermana, Juanita, have just moved from New York City to Vermont with their recently divorced mother. The last thing Miguel wants, as he's trying to fit into a predominantly white community, is a flamboyant aunt who doesn't speak a word of English. Tía Lola, however, knows a language that defies words; she quickly charms and befriends all the neighbors. She can also cook exotic food, dance (anywhere, anytime), plan fun parties, and tell enchanting stories. Eventually, Tía Lola and the children swap English and Spanish ejercicios, but the true lesson is "mutual understanding." Peppered with Spanish words and phrases, Alvarez makes the reader as much a part of the "language" lessons as the characters. This story seamlessly weaves two culturaswhile letting each remain intact, just as Miguel is learning to do with his own life. Like all good stories, this one incorporates a lesson just subtle enough that readers will forget they're being taught, but in the end will understand themselves, and others, a little better, regardless of la lengua nativa—the mother tongue.
Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay. (Fiction. 9-11)Pub Date: March 1, 2001
ISBN: 0-375-80215-0
Page Count: 160
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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by Julia Alvarez ; illustrated by Raúl Colón
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by Julia Alvarez ; illustrated by Sabra Field
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by Meredith Hooper & illustrated by Bee Willey ‧ RELEASE DATE: June 1, 2000
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
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