by Derek Anderson ; illustrated by Derek Anderson ‧ RELEASE DATE: Feb. 19, 2019
Little listeners who have been on both sides of this friendship equation will identify with this thoughtful (but never...
Can Harry and Sam’s friendship survive a kingship?
Big bear Harry and little bear Sam are best friends who decide to play kings one day. First they need crowns. Harry’s is golden, but Sam’s is huge and bejeweled. Harry’s sand castle is lumpy, while Sam’s is highly detailed and has a moat. On the swings, little Sam soars high while Harry’s bottom drags the ground. The other woodland creatures heap praise on Sam for his all-around excellence, and Harry begins to notice his efforts are nothing compared to Sam’s easy skills. When they play kings of the pond and the creatures begin chanting Sam’s name, Harry’s had enough. He splashes everyone with a big dive and goes to play at being king by himself. Neither bear has fun alone, and Harry gets an idea to patch up the friendship his jealousy nearly ruined. Hot Rod Hamster illustrator Anderson writes and illustrates this gentle tale of the green-eyed monster. That the Greek chorus of forest critters speak in speech balloons throughout while Harry and Sam’s dialogue is set within the narrative text nicely sets their praise outside the friends’ relationship. The illustrations neatly manage pacing with shifts from full spreads to vignettes; created with ink and Photoshop, they are adorable and cartoony.
Little listeners who have been on both sides of this friendship equation will identify with this thoughtful (but never preachy) outing. (Picture book. 3-7)Pub Date: Feb. 19, 2019
ISBN: 978-0-06-240259-2
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Oct. 1, 2018
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by Derek Anderson ; illustrated by Derek Anderson
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by Sybil Rosen ; illustrated by Camille Garoche ‧ RELEASE DATE: March 16, 2021
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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