A joke that is on its way to wearing thin.
A new semester of “learning, horror, and mayhem” at a school where all the faculty and half of the students are monsters, the narrator is a ghost and the Locker of Infinite Oblivion is just one of the dark fates awaiting incautious passersby.
With the same danger of sudden death but a lower body count than its predecessor, Scary School (2011), this patchy sequel opens with the rescue of a class that has been trapped on an endless slide all summer. (This was chronicled in an added chapter of Scary School buried on the author’s website.) It climaxes with a spirited defense of the school against an army of karate monsters and along the way introduces characters like budding author Steven Kingsley and aptly named Tanya Tarantula to join continuing ones. Among the latter shines weirdly ordinary Charles Nukid, whose struggles to escape the amorous advances of the Monster King’s daughter, Princess Zogette (“I have always had a thing for younger men. I am a quarter cougar, after all”), precipitate the climactic battle. Fischer’s black-and-white views of sober children and leering but unfrightening creatures reinforce the underlying premise that it’s all in fun. Even readers with a hearty appetite for monsters may find the onslaught becoming tedious after the first dozen or so episodes, though.
A joke that is on its way to wearing thin. (website) (Fantasy. 8-11)Pub Date: June 26, 2012
ISBN: 978-0-06-16095-6
Page Count: 256
Publisher: Harper/HarperCollins
Review Posted Online: March 6, 2012
Kirkus Reviews Issue: April 1, 2012
BOOK REVIEW
BOOK REVIEW
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
Yasmin’s campaign should help inspire young readers to believe in their own potential to make a difference and teach the...
When her source of books is threatened, so is 9-year-old Yasmin’s goal of reading a book a day “forever.”
The inspiration behind and assistant to her in that goal is Book Uncle, owner of a free lending library on the street corner where she lives. His motto is to provide the “right book for the right person for the right day.” When Book Uncle is forced to shut down his lending library because he can’t afford the permit, Yasmin is disappointed and confused. She is then motivated to try and get the lending library back in business and enlists the help of her friends and then their larger neighborhood. All this happens amid a mayoral election, which provides the perfect background for the plot. Yasmin is a precocious, inquisitive protagonist with a tendency to speak before she thinks. Her relationships with her family and friends read as authentic and loving, even, and perhaps especially, in the moments when they are not perfect. This all lays the foundation for the community organizing that later becomes so necessary in effecting the change that Yasmin seeks to make. Swaney’s playful, childlike illustrations advance the action and help to bring Yasmin’s Indian city to life.
Yasmin’s campaign should help inspire young readers to believe in their own potential to make a difference and teach the valuable lesson that sometimes it takes several small actions to make big moves. (Fiction. 8-11)Pub Date: Sept. 13, 2016
ISBN: 978-1-55498-808-2
Page Count: 152
Publisher: Groundwood
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
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