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THE BLACK GIRL SURVIVES IN THIS ONE

HORROR STORIES

An engaging volume that breathes necessary life into the horror genre, showcasing the best of what goes bump in the night.

A well-crafted horror anthology containing 15 stories that cleverly reimagine familiar tropes and cliches.

In their dedication, editors and contributors Evans and Fennell address “all the Black girls who have been aching to…come out on top as the Final Girl.” Defying the genre’s preference for centering white heroines, this collection features Black girls who are fighters and survivors, breakers of generational curses and slayers of evil. The stories contain deft social commentary, and many investigate the monstrosities of the human condition. Cinematic standouts include Justina Ireland’s “Black Pride,” a radical take on werewolves set during the era of the Black Panther Party; Brittney Morris’ “Queeniums for Greenium!,” about a reluctant newcomer to a cult disguised as a multilevel marketing group; and Charlotte Nicole Davis’ “Foxhunt,” starring a high schooler who becomes the intended prey for a fatal game based on the brutality of chattel slavery. Other authors delve into paranormal frights shaped by cultural folklore, such as Evans’ “The Brides of Devil’s Bayou,” which follows a college student from rural Louisiana who returns home to confront a maternal inheritance involving a terrifying deal with a demon. This collection provides much-needed representation of Black girls who refuse to be martyrs, sassy sidekicks, or casualties on the path to a white character’s inevitable triumph.

An engaging volume that breathes necessary life into the horror genre, showcasing the best of what goes bump in the night. (contributor biographies) (Horror anthology. 13-18)

Pub Date: April 2, 2024

ISBN: 9781250871657

Page Count: 368

Publisher: Flatiron Books

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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THE CHANGING MAN

A descriptive and atmospheric paranormal social thriller that could be a bit tighter.

After a Nigerian British girl goes off to an exclusive boarding school that seems to prey on less-privileged students, she discovers there might be some truth behind an urban legend.

Ife Adebola joins the Urban Achievers scholarship program at pricey, high-pressure Nithercott School, arriving shortly after a student called Leon mysteriously disappeared. Gossip says he’s a victim of the glowing-eyed Changing Man who targets the lonely, leaving them changed. Ife doesn’t believe in the myth, but amid the stresses of Nithercott’s competitive, privileged, majority-white environment, where she is constantly reminded of her state school background, she does miss her friends and family. When Malika, a fellow Black scholarship student, disappears and then returns, acting strangely devoid of personality, Ife worries the Changing Man is real—and that she’s next. Ife joins forces with classmate Bijal and Benny, Leon’s younger brother, to uncover the truth about who the Changing Man is and what he wants. Culminating in a detailed, gory, and extended climactic battle, this verbose thriller tempts readers with a nefarious mystery involving racial and class-based violence but never quite lives up to its potential and peters out thematically by its explosive finale. However, this debut offers highly visually evocative and eerie descriptions of characters and events and will appeal to fans of creature horror, social commentary, and dark academia.

A descriptive and atmospheric paranormal social thriller that could be a bit tighter. (Thriller. 14-18)

Pub Date: Sept. 26, 2023

ISBN: 9781250868138

Page Count: 384

Publisher: Feiwel & Friends

Review Posted Online: June 8, 2023

Kirkus Reviews Issue: July 1, 2023

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DON'T LET THE FOREST IN

Lush, angsty, queer horror.

When the monsters they imagine come to life, two boys fight for their lives—and each other.

Andrew Perrault, who’s from Australia, writes beautiful, macabre fairy tales. His roommate at his American boarding school, Wickwood Academy, is talented artist Thomas Rye, who brings his stories to vivid life in paint and charcoal. Andrew’s twin sister, Dove, is all but ignoring him, so he has plenty of time to focus on Thomas’ increasingly odd behavior. Thomas’ parents disappeared just before the new school year started, and Andrew noticed blood on his roommate’s sleeve on their first day back. When he follows Thomas into the forest one night, Andrew discovers him fighting one of the monsters that Thomas has drawn from these stories. The boys soon find themselves coping with vicious bullies by day and fighting monsters by night. At the same time, Andrew struggles to reconcile his feelings for Thomas with his growing awareness of his own asexuality. But when the sinister Antler King breaches Wickwood’s walls, Andrew realizes that he and Thomas may not survive their own creations. This novel, written in rich, extravagant prose, features frank portrayals of disordered eating, self-harm, bullying, and mental illness. Andrew grapples realistically with his sexual identity, and the story has ample genuinely creepy moments with the monsters. Andrew, Thomas, and Dove are white.

Lush, angsty, queer horror. (content warning) (Horror. 14-18)

Pub Date: Oct. 29, 2024

ISBN: 9781250895660

Page Count: 336

Publisher: Feiwel & Friends

Review Posted Online: Aug. 3, 2024

Kirkus Reviews Issue: Sept. 1, 2024

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