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I DON'T WANT TO BE BIG

The premise is weak, but the silly pictures make this an enjoyable read-aloud nevertheless.

A small frog boldly proclaims its reluctance to become big; an adult frog and a pig help it reconsider its views.

As in Petty and Boldt’s earlier collaboration, I Don’t Want to Be a Frog (2015), the expressions on the frogs’ faces are perfect: belligerence from the little frog and weary cynicism from the adult, who is probably the younger frog’s parent. The art also lends excellent credibility to the little frog’s concerns about being unable to fit in the book and terrible at hide-and-seek; only partial views are given of the comical elephant referenced by the child-frog. The text in which the frogs discuss the pros and cons of being big—shown in dialogue bubbles—seems a bit flat, however, probably because most young children want to be bigger. Young children also generally want independence, so the little frog’s assertion that “I have big friends” to reach some cupcakes when it can’t again seems lame. There is plenty of humor, much of it stemming from the art, as when the little frog decides it might not want to meet the tree frogs and the double-page spread suddenly fills, startlingly, with a close-up view of red-eyed tree frogs staring out at readers. The endpapers are also funny, showing an elephant’s trunk using a pencil to mark the little frog’s growing height. The little frog’s final proclamation may lead to a sequel with a complaint more expected from young ones.

The premise is weak, but the silly pictures make this an enjoyable read-aloud nevertheless. (Picture book. 3-6)

Pub Date: Oct. 11, 2016

ISBN: 978-1-101-93920-8

Page Count: 32

Publisher: Doubleday

Review Posted Online: June 27, 2016

Kirkus Reviews Issue: July 15, 2016

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PAPA DOESN'T DO ANYTHING!

A tale of intergenerational bonding to be shared by grandparents and grandchildren.

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In talk-show host Fallon and illustrator Ordóñez’s latest picture-book collaboration, an elderly pooch waxes rhapsodic about a life well lived.

Observing Papa sitting in his chair watching TV all day, a young pup says, “I’m starting to think…you don’t do ANYTHING.” So Papa proceeds to list his accomplishments, both big and small, mundane and profound. Some are just a result of being older and physically bigger (being tall enough to reach a high shelf and strong enough to open jars); others include winning a race and performing in a band when he was younger. Eventually, the pup realizes that while Papa may have slowed down in his old age, he’s led a full life. The most satisfying thing about Papa’s life now? Watching his grandchild take center stage: “I can say lots of thoughts / but I choose to be quiet. / I’d rather you discover things and then try it.” Fallon’s straightforward text is sweetly upbeat, though it occasionally lacks flow, forcing incongruous situations together to fit the rhyme scheme (“I cook and I mow, / and I once flew a plane. // I play newspaper puzzles because it’s good for my brain”). Featuring uncluttered, colorful backgrounds, Ordóñez’s child-friendly digital art at times takes on sepia tones, evoking the sense of looking back at old photos or memories. Though the creators tread familiar ground, the love between Papa and his little one is palpable.

A tale of intergenerational bonding to be shared by grandparents and grandchildren. (Picture book. 3-6)

Pub Date: May 13, 2025

ISBN: 9781250393975

Page Count: 40

Publisher: Feiwel & Friends

Review Posted Online: May 3, 2025

Kirkus Reviews Issue: June 1, 2025

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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